Table of Contents

Part 1 Acknowledgements Part 2 Translators' note Part 3 Introduction: In Search of Spanish Song Chapter 4 I. Monody and Polyphony Chapter 5 II. The Beginnings of Solo Song Chapter 6 III. Song in the Theatre: Tonadilla and Zarzuela Chapter 7 IV. Isaac Albéniz Chapter 8 V. Enrique Granados Chapter 9 VI. Amadeo Vives Chapter 10 VII. Manuel de Falla Chapter 11 VIII. Joaquín Nin Chapter 12 IX. Joaquín Turina Chapter 13 X. Jesús Guridi Chapter 14 XI. Oscar Esplá Chapter 15 XII. Frederic Mompou Chapter 16 XIII. Eduardo Toldrà Chapter 17 XIV. Roberto Gerhard Chapter 18 XV. Alberto Hemsi Chapter 19 XVI. Fernando Obradors Chapter 20 XVII. Federico García Lorca Chapter 21 XVIII. Joaquín Rodrigo Chapter 22 XIX. Xavier Montsalvatge Part 23 Afterword: Spanish Song of the Future Part 24 Appendix Part 25 Notes on the poets Part 26 Select Discography Part 27 Index of composers Part 28 Index of poets and translators Part 29 Index of titles and first lines

About the Author

Richard Stokes is author of J.S. Bach: The Complete Cantatas (Scarecrow Press, 2004), The Book of Lieder (Faber and Faber, 2005), and co-author of A French Song Companion, with Graham Johnson (OUP, 2000). Jacqueline Cockburn is Head of History of Art at Westminster School, and an associated lecturer at Birkbeck College, University of London.

Reviews

This is a highly useful practical tool, especially for the singer.
*Classical Music*

For singers, students of Spanish literature, and music lovers, this is a reprint of a 1992 work by Cockburn (history of art, Westminster School and U. of London, UK) and Stokes (an author of books on Bach, lieder, and French songs). It consists of the texts of about 300 songs from the 13th to the 20th century, along with translations and information on composers and poets. Songs are organized chronologically—from monody and polyphony to solo songs and songs in the theater—and then by composer, such as Albéniz, Granados, de Falla, Turina, and Rodrigo. The book includes historical information on styles and composers, explanations of unfamiliar Spanish words or concepts, and a selected discography. Indexes are by composer, poet and translator, and first line and title. The introduction is by accompanist Graham Johnson.
*Reference and Research Book News, August 2006*