Stephen Shore is an American photographer known for his images of banal scenes and objects in the United States, and for his pioneering use of color in art photography. In 2010, Shore received an Honorary Fellowship from The Royal Photographic Society.
This substantial catalogue, published by Fundacion Mapfre/Aperture,
is--surpisingly--the first to explore Shore's remarkable life and
career in depth. The selection of 250 images spans six decades and
includes his rarely exhibited black-and-white work: New York street
pictures, including a gritty bunch from the mid-'60s and a more
stately one from 2002; nature studies in Essex County, New york,
taken in 1990; and a portrait from Luzzara, Italy, taken in 1993.
There are chapters highlighting his familiar style in color with a
view camera--Ukraine and Arizona landscapes--as well as one on his
embrace of digital print-on-demand technology. But the bulk of the
plates and writings here are devoted, rightfully, to the 70's, when
Shore completed two exceptional projects, American Surfaces and
Uncommon Places. It is hard to imagine them as products of the same
artist, so antithetical do they seem in how they are organized and
in what subjects they memorialize. -Bookforum
An exploration of Stephen Shore's groundbreaking photography split
into three parts, Survey dissects the complex ideas behind Shore's
deceptively straight-forward images. -TIME Lightbox
Shore revolutionized photography with his colleagues with color, an
aesthetic shift that mirrored Warhol's fascination with
industrial/mechanical processes and the serial reproduction of
images. -Time
Stephen Shore was part of a remarkable generation that reinvented
the medium, subordinating the excessive beauty of color film to a
formal discipline -The New York Times
Shore used seemingly unimportant elements of the
landscape--lampposts, fences, blank walls and sidewalks--to frame
back alleys and gasoline strips, imbuing them with a kind of
wistful poetry. -The New York TImes
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