Eilon Paz is a Brooklyn-based photographer and art director.
His work has appeared worldwide in publications such as the New
York Times, Rolling Stone, the Observer, Maxim, Wax Poetics,
Saveur, Monocle, Conde Nast Traveler, and Delta Airlines’ Sky
magazine, among others. His 2014 debut book, Dust & Grooves:
Adventures in Record Collecting, has sold over 25,000 copies to
date and is in its third edition. Paz was disqualified from the
2008 Air Guitar World Championships in Oslo for applying the
then-unheard B-flat Hexatonic/Odyssey scale to a Britney Spears
song. Since then, he’s been focusing his efforts and talents on
producing music-related art books.
Dan Epstein is an award-winning, battle-scarred veteran of
the rock journalism wars, who has written for Rolling Stone,
Revolver, Guitar World, SPIN, FLOOD, the Jewish Daily Forward, and
dozens of other publications. As a guitarist, he has recorded with
several psychedelically inclined bands, including The Jupiter
Affect and Lava Sutra; he has also penned several books on
baseball, including Big Hair and Plastic Grass: A Funky Ride
Through Baseball and America in the Swinging ’70s. He lives in
Greensboro, North Carolina.
James “Roto” Rotondi has been the editor-in-chief of Guitar
World’s Bass Guitar and Future Music Magazine, a senior editor at
Guitar World, Guitar Player, and Remix Magazine, and has written
for Premier Guitar, Acoustic Guitar, Rolling Stone, SPIN, MOJO, The
Wire, Sound & Vision, American Songwriter, and JazzTimes. A former
keyboardist and singer for French electro band Air, as well as Mike
Patton’s Mr. Bungle, the Nashville-based Rotondi plays lead guitar
for British rock titans Humble Pie, The Cringe, Hundred Hounds,
Mysterious Union, and fronts his own Roto’s Magic Act.
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