Katy Hessel is an art historian, presenter and curator dedicated to celebrating female artists. The founder of @thegreatwomenartists and the podcast of the same name, she has collaborated with Tate Modern and Dior, lectured at Cambridge University and the National Gallery and presented programmes for the BBC.
Katy Hessel is a brilliant chronicler of the overlooked. I am so
thrilled this book exists as an empowering, enlightening guide to
the unforgettable vision of these brilliant artists. Essential
reading
*Elizabeth Day*
An inspiring, beautifully written corrective
*Observer*
Will change the history of art... thank God.
*Tracey Emin*
Excellent, authoritative, exuberant and elegantly written
*Simon Sebag Montefiore, author of STALIN: THE COURT OF THE RED
TSAR*
I was not aware how hungry I was for this book until I dropped
everything and ate it from cover to cover. I was not aware how
angry I was that this book did not exist until it existed. It's an
urgently needed, un-put-downable, joyful, insightful, glorious,
perspective-shifting revision of the Story of Art.
*Es Devlin*
A book for every aspiring art historian - whatever their sex
*The Times*
A long overdue, revisionist history of art by the brilliant Katy
Hessel ... Never stuffy or supercilious, Hessel's book is a
revelation and an important first step towards redressing the
balance of an art world in which women have been sidelined, stepped
over and trampled upon for far too long
*Refinery29*
An extraordinary achievement that will have a disruptive cultural
legacy and help determine the landscape for years to come.
*Harper's Bazaar*
Well-researched and enlightening
*Daily Express*
Unapologetically revisionist
*Financial Times*
In this astounding, generous book, Katy Hessel has given us such a
gift. Her research is profound, scholarly and wide-ranging, her
writing authoritative yet accessible. I found so much to surprise
and delight in these pages, so many works of art pulsating with
life and intelligence, beauty and power. This book is a
long-overdue corrective, and Hessel has executed it to perfection,
echoing the passion and skill of the very artists she writes about.
An astonishing achievement.
*Jessie Burton, author of The Miniaturist*
Via chronological chapters focusing on periods of change, Hessel
leads the reader back through this story, reinstating the countless
women whose contributions were missed.
*RA Magazine*
Vital... has firmly cracked open the canon
*Spectator*
A spirited, inspiring, brilliantly illustrated history of female
artistic endeavour... The Story of Art Without
Men should be on the reading list of every A-level and university
art history course and on the front table of every museum and
gallery shop.
*The Times*
A magnificent read and a beautiful book
*David Walliams*
Exhilarating ... a dazzling array marshalled by a talented young
art historian who grinds her axe sharply and with skill ...
[Hessel's] scholarship, enthusiasm and humour make this lavish book
a must for any woman who loves art
*Daily Mail*
An illuminating celebration of female artists and their often
overlooked place in history
*Stylist*
Passionate, enthusiastic and witty... I wish I had had this book as
a teenager
*The i*
A touchpoint for a new generation who will go on to define the
future of those exhibitions, collections, and auctions
*Dazed Digital*
This eye-opening read is an overdue revisionist history of art -
ignoring the pale, male canon to celebrate female artists who have
been overlooked for centuries
*iPaper*
The early centuries are thin simply due to the paucity of surviving
work by talented women painters but her story becomes fuller and
more persuasive the closer it gets to today. Hessel is
clear-sighted and impartial enough not to over-claim for her
subjects but show that they are full of interest and every bit as
worthy of attention as their male peers.
*New Statesmen*
Katy Hessel's first book The Story of Art without Men is a
necessary and urgent book. A truly empowering title, the volume
celebrates the rise of women artists and recentres them within art,
political and social history. Many of these artists have been
presented at Serpentine and their visions are getting the
visibility they deserve through the fantastic visuals and Katy's
thorough research
*Hans Ulrich Obrist, Artistic Director, Serpentine*
When women are literally written out of history, Hessel conveys how
radical, powerful and vulnerable their lives and art were - and
still are. Through moments of rage and celebration, this story
fundamentally centres creative freedom: the stifling of it, and the
lengths endured to claim it.
*The Sydney Morning Herald*
This passionate and personal telling of what has been an invisible
history will bring revelation to anyone entering the world of art
and its histories.
*Iwona Blazwick, Director, The Whitechapel Gallery*
Although women have always made art, for far too long, art history
has been told as the story of male achievement. Katy Hessel's The
Story of Art without Men is a brilliantly readable and lively
corrective. Outraged and celebratory, it's chock-full of female
trail-blazers - from the Renaissance until the present day - who
forged their way, despite facing the kind of hurdles that would
stump most mortals
*Jennifer Higgie, author of The Mirror and the Palette*
Compiled with zip and wit, even the informed reader will learn
something new on every page - we really cannot recommend it
enough
*The Fence*
This eye-opening read is an overdue revisionist history of art -
ignoring the pale, male canon to celebrate female artists who have
been overlooked for centuries
*i paper*
A sumptuously illustrated history... at once broad in scope and
meticulously researched
*TLS*
This book has blown my mind. Really passionately recommend
*Sunday Times*
An extraordinary eye-opener, and very readable ... we badly need
books like Hessel's
*Evening Standard*
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