Charles de Lint pioneered the urban fantasy genre with critically acclaimed novels and stories set in and around the imaginary modern North American city of Newford: The Onion Girl, Moonheart, The Ivory and the Horn, and the collection Moonlight and Vines, for which he won the World Fantasy Award. Among de Lint's many other novels are Mulengro, Into the Green, and The Little Country.
"De Lint is a romantic; he believes in the great things, faith, hope, and charity (especially if love is included in that last), but he also believes in the power of magic-or at least the magic of fiction-to open our eyes to a larger world." --Edmonton Journal "What makes de Lint's particular brand of fantasy so catchy is his attention to the ordinary. Like great writers of magic realism, he writes about people in the world we know, encountering magic as part of that world." --Booklist
When de Lint's magic is working, his characters shine with folksy charisma (The Onion Girl; Moonheart), but a preponderance of the 18 stories in this collection have the familiar denizens of fictional Newford wandering passively through their own tales. The better yarns have the protagonists taking an active role in earning their magical rewards, as in "Granny Weather," in which Sophie saves her boyfriend, Jeck, by using lucid dreaming, personal sacrifice and good sense. However, many of the stories unfold with little drama or conflict. "Ten for the Devil" rambles from field to barroom and back, until the devil is finally foiled by kindness; while in "Big City Littles" and "Second Chances," the right mystical word spoken by Meran Kelledy immediately fixes things. Then there's de Lint's bias against ugly men and petty thieves. Without the mitigating love of a good woman, these men are punished ("Freak," "The Witching Hour"), sometimes even after death. Pretty girls, however, can do no wrong. All the female denizens of Newford appear to have artistic gifts. Just a modicum of good manners and a little spunk earns most of these ladies rich rewards ("Masking Indian," "Trading Hearts at the Half Kaffe Caf," "Seven Wild Sisters"). While some of de Lint's niftier conceits are well utilized, such as the faerie realm created by lucid dreaming, more is to be expected from this World Fantasy Award-winning author than this collection of hazy, lazy tales. (Nov. 14) FYI: "Seven Wild Sisters" was published earlier this year by Subterranean as a separate book, with illustrations by Charles Vess (Forecasts, Feb. 18). Copyright 2002 Cahners Business Information.
"De Lint is a romantic; he believes in the great things, faith, hope, and charity (especially if love is included in that last), but he also believes in the power of magic-or at least the magic of fiction-to open our eyes to a larger world." --Edmonton Journal "What makes de Lint's particular brand of fantasy so catchy is his attention to the ordinary. Like great writers of magic realism, he writes about people in the world we know, encountering magic as part of that world." --Booklist
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