Author of more than a dozen books of poetry and two of literary criticism, Susan Howe's recent collection of poems That This, published by New Directions won the Bollingen Prize in 2011. Her earlier critical study, My Emily Dickinson, was re-issued in 2007 with an introduction by Eliot Weinberger. Three CDs in collaboration with the musician/composer David Grubbs, Thiefth, Souls of the Labadie Tract, and Frolic Architecture were released on the Blue Chopsticks label (2005; 2011). Howe held the Samuel P. Capen Chair in Poetry and the Humanities at the State University New York at Buffalo until her retirement in 2007. The recipient of a Guggenheim Fellowship, she was elected to the American Academy of Arts and Sciences in 1999 and served as a Chancellor to the Academy of American Poets between 2000-2006. In fall, 2009 she was awarded a Fellowship to the American Academy at Berlin. Grenfell Press published a fine press edition of "Frolic Architecture with photographic prints by James Welling in 2009. Recently she was an Artist In Residence at the Isabella Stewart Gardner Museum in Boston. In October, 2013 her word collages were exhibited at the Yale Union in Portland, Oregon, and in the Whitney Biennial Spring, 2014. A limited press edition of Tom Tit Tot (the word collages which amount to a series poem) with art work by R.H. Quaytman has just been published by MoMA in New York, and Spontaneous Particulars:The Telepathy of Archives, (2014) published by Christine Burgin and New Directions. James Welling, b. 1951, is an acclaimed experimental artist who employs a wide variety of photographic tools and media.
"For nearly thirty years, Howe has occupied a particular and invaluable place in American poetry. She's a rigorously skeptical and a profoundly visionary poet, a writer whose demystifying intelligence is matched by a passionate embrace of poetry's rejuvenating power." -- John Palattella - The Boston Review "An important voice in contemporary literature, a signal inheritor of an American poetic tradition. Like Dickinson, her Massachusetts muse, Howe turns the English of a self steeped in books such that every word, as in Scripture, glows with an almost moral quality." -- Artforum "Monomania has its rewards-an incantatory power that shines through. Howe's images, being historical as well as biographical, have the eerie sharing of ghosts half-believed in, giving a surreal, dreamlike atmosphere reminiscent of Borges at his sharpest." -- Kirkus Reviews