Preface by Simon McBurneyChapter 1) Playing with the R(ealism) effect: An introduction to Thomas Ostermeier's theatre work. Chapter 2) Ostermeier writings: Towards a new realism. 2.1. Theatre in the age of its acceleration (1999). 2.2 Insights into the reality of human community: A defence of realism in theatre (2009). Chapter 3) Making theatre with Thomas Ostermeier. 3.1 Creating stage spaces like it is not possible anywhere else: Jan Pappelbaum on twenty years of inventing spaces for Thomas Ostermeier 3.2 Revealing truths about human existence: Lars Eidinger on 'acting Ostermeier' 3.3 A whole new world to explore: Sebastien Dupouey on his video artworks for Thomas Ostermeier's theatre Colour plate section I Chapter 4) Ostermeier writings : 'It's us': Ibsen's plays and contemporary worries 4.1 Theatre against Fear: Thomas Ostermeier in conversation with Alex Rigola (2006). 4.2 Reading and staging Ibsen (2010).
Peter M Boenisch, originally from Munich/Germany, is Professor of European Theatre at the University of Kent, and a Fellow at the International Research Centre "Interweaving Performance Cultures" at Berlin. Thomas Ostermeier is an internationally renowned theatre director, best known for his acclaimed productions of Hedda Gabler, Shopping and Fucking, and Hamlet. Since 2000, he has been Artistic Director of the Schaubuhne Berlin. He became the youngest ever recipient of the Golden Lion award for his lifework at the 2011 Venice Biennial.
"Essential - Well illustrated and expertly assembled, this volume deserves to be widely read by all interested in contemporary theater practice."
"Those wishing to study, and particularly to teach, the work of the best-known mainland European director to English audiences will find their task is made much easier by this volume, which is richly varied and will be accessible to students at all levels."
- New Theatre Quarterly
"Boenisch and Ostermeier have done artistic and scholarly communities a service with this volume."
- Contemporary Theatre Review