1. Introducing wen-wu: towards a definition of Chinese masculinity; 2. Portrait of the God of War Guan Yu: sex, politics and wu masculinity; 3. Confucius as sage, teacher, businessman: transformations of the wen Icon; 4. Scholars and intellectuals: representations of wen masculinity past and present; 5. The working-class hero: images of wu in traditional and Post-Mao fiction; 6. Women's voices: the ideal 'woman's man' in the twentieth century; 7. Lao She's The Two Mas and foreign wives: constructing wen masculinity for the modern world; 8. Bruce Lee, Jackie Chan and Chow Yun Fat: internationalising wu masculinity; 9. Wen-wu reconstructed: Chinese masculinity hybridised and globalised; Notes; Bibliography; Index.
This book is a comprehensive analysis of Chinese masculinity.
'Theorising Chinese Masculinity is a welcome addition to studies on
gender - both globally and in terms of China specifically. The book
is a boon for those teaching Chinese gender studies in that it
offers accessible and stimulating insights into the iconography and
representations of Chinese masculinity.' Asian Studies Review
'This book is unique in its originality as it provides a much-needed account of masculinity in Chinese society and beyond ... a breath of fresh air ... For anyone concerned with understanding the construction of cultural and sexual identities, this book offers needed insights into a long neglected arena of masculinity. Louie's stimulating and readable account of the construction of Chinese masculinity could not have arrived at a better time.' Sociology
'In [the book], Kam Louie offers us a very clear and concise analysis of the cultural models of Chinese masculinity from ancient imperial times to the present age of transnational contact ... Louie's book could be considered a pioneering effort to provide a rather comprehensive study of this subject. Besides describing in detail the historical development of the male image from premodern to contemporary times, Louie also focuses on the ways in which Chinese men have been represented under the Western gaze and how these representations have negotiated with the dominant Western culture.' Philosophy East and West