Table of Contents

PART ONE: IN LIEU OF FUNDAMENTALS / 1 Assorted Preliminaries / 2 Intervals / PART TWO: DIATONIC HARMONY / 3 Basic Harmonic Structures /4 Musical Shorthand: Lead Sheets and Figured Bass / 5 Harmonies of the Major and Minor Scales / 6 Cadences/Harmonic Rhythm / PART THREE: MELODY / 7 Melodic Pitch and Rhythm /8 Embellishing Tones / 9 Melodic Form /PART FOUR: VOICE LEADING / 10 Melodic Principles of Part Writing/The Outer Voice Framework / 11 The Melodic Factor in Four-Voice Part Writing/Voicing and Connecting Chords / 12 The Chorale/Part Writing with Root-Position Triads /13 Part-Writing with Triads in Inversion / 14 Part Writing Seventh Chords / PART FIVE: BASIC CHROMATIC HARMONY / 15 Secondary Function I / 16 Secondary Function II / 17 Modulation I / PART SIX: COUNTERPOINT / 18 The Art of Countermelody /19 The Fugue /PART SEVEN: ADVANCED CHROMATIC HARMONY /20 Mixing Modes / 21 Altered Pre-Dominants / 22 Other Chromatic Harmonies /23 Modulation II /24 Harmonic Extensions and Chromatic Techniques / PART EIGHT: FORM / 25 Binary and Ternary Forms /26 Sonata Form /27 The Rondo / PART NINE: MUSIC IN THE TWENTIETH-CENTURY AND BEYOND / 28 Syntax and Vocabulary / 29 New Tonal Methods / 30 Non-Serial Atonality / 31 Serial Atonality /32 Harmonic Principles in Jazz / 33 The Blues / 34 Shaping a Song / Appendix A: Pitch / Appendix B: Rhythm / Appendix C: Basic Lead-Sheet Symbols / Appendix D: Part-Writing Guidelines

About the Author

Ralph Turek is a theorist, composer, author, jazz pianist, Professor Emeritus at The University of Akron, and a veteran of thirty-five years of teaching in the music theory classroom.

Daniel McCarthy is a familiar name in contemporary American music. As a composer, he has received distinguished faculty research/creativity awards at Indiana State University and The University of Akron, where he is Chair of the Composition and Theory Section in the School of Music.