Part I. Foundation
1. Fleas on the Shoulders of Giants
2. Tell Me a Story
3. The Good, the Bad, and the Just Plain Annoying
Part II. Animation
4. The Thursday Animator
5. Every Frame Counts
6. Acting in the Moment, Again and Again and Again
Part III. And Now a Word from the Producer
7. Studio Politics: When Push Comes to Stab
8. The End of the Beginning
9. Indexes
Part IV. History and Production Notes
Angie Jones began her animatioin career at a San Diego studio of more than 150 traditional animators. As a female animator, she was a novelty. Even rarer at this traditional studio was her willingness to create animation with a computer. although she was trained at a fine art school, she readily embraced the computer and for the past ten years she has worked on several productions, including Stuart Little 2, Disney's 50th anniversary commercials, Oddworld: Abe's Exoddus, Garfield, Dino Crisis 3, Scooby Doo 2, Xmen 2, and National Treasure. Jamie Oliff was trained in classical animation at Sheridan College of Art and Design and has worked in the animation industry for more than 20 years. An award-winning director and long-time feature film animator, his credits include the first season of The Ren & Stimpy Show, many feature-length animated pictures such as the Hunchback of Notre Dame, Mulan, Hercules, The Emperor's New Groove, and CGI animation on titles ranging from Kangaroo Jack to Scooby Doo 2, and National Treasure.
PART I. Foundation 1. Fleas on the Shoulders of Giants 2. Tell Me a Story 3. The Good, the Bad, and the Just Plain Annoying PART II. Animation 4. The Thursday Animator 5. Every Frame Counts 6. Acting in the Moment, Again and Again and Again PART III. And Now a Word from the Producer 7. Studio Politics: When Push Comes to Stab 8. The End of the Beginning 9. Indexes PART IV. History and Production Notes
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