Michael Rosen is one of the most popular authors of
stories and poems for children. His bestselling titles include
Little Rabbit Foo Foo, Michael Rosen’s Sad Book, This Is Our House,
Tiny Little Fly, Dear Mother Goose and its sequel Dear Fairy
Godmother. He has also written many collections of poetry including
Bananas in My Ears. Michael received the Eleanor Farjeon Award for
distinguished services to children’s literature in 1997, and was
the Children’s Laureate from 2007 to 2009. He is a distinguished
critic and academic, co-directing an MA in Children’s Literature at
Birkbeck College. He is often called upon to talk about children’s
literature and his poetry readings are adored by children and
adults. He also presents radio programmes for the BBC. Michael
lives in London. Find him online at www.michaelrosen.co.uk and on
Twitter as @MichaelRosenYes.
Bob Graham, Australia's leading picture book maker, has
written and illustrated many award-winning children's books,
including Max and How to heal a Broken Wing. He has won the
Australian Children's Book of the Year Award an unprecedented three
times and the Kate Greenway Medal in 2003 for Jethro Byrd, Fairy
Child.
Well written and beautifully illustrated
*Red Pepper*
"Delights with its humour and optimism."
*Magpies*
"Words and pictures both splendidly capture the essence of infant
society."
*Northern Echo*
Well written and beautifully illustrated * Red Pepper *
"Delights with its humour and optimism." * Magpies *
"Words and pictures both splendidly capture the essence of infant
society." * Northern Echo *
PreS-Gr 2‘A cardboard box on an urban playground is the setting for this exploration of discrimination. George is in a cardboard "house" and declares that "This house is all for me!" As the other kids try to join him, he gives them his reasons why they cannot enter: no girls, no small people, etc. Race is not mentioned. The children try different approaches to soften George, but nothing works. Finally he has to use the bathroom, and when he returns the house is full. Charlene tells him, "This house isn't for people with red hair," and he shouts, cries, stamps, and punches. Then he realizes what the others have known all along: "This house is for everyone!" The playground setting helps keep the book from being weighed down by the important, but obvious, message. Graham uses watercolors and crayons to highlight the main action on each page, while gray-shaded drawings fill out the backgrounds. There are no lectures in the text; the kids work out the problem on their own using actions rather than speeches. The solution is not completely satisfying, as George learns his lesson only when he is given the same treatment he gave others. More important, though, is the children's unerring confidence that they do belong in the house, and their willing inclusion of George in the end. There are obvious opportunities for discussion and sharing here, but the book speaks for itself in a clear and engaging manner.‘Steven Engelfried, West Linn Public Library, OR
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