Given Griffiths’s career as a librettist and musicologist, a
distinctly Da Ponte-ish symmetry between “high” and “low” voices
and a certain exactitude of pacing and weight, it is tempting to
postulate music as a suggestive absence in the book, a kind of dark
matter that might fill and charge the spaces between and alongside
the words.
*The TLS*
![]() |
Ask a Question About this Product More... |
![]() |