Poignant and beautifully sculpted, a novel about exile, identity and the many kinds of travellers moving through our modern world.
Helon Habila is the author of Oil on Water, Measuring Time, Waiting for an Angel, andThe Chibok Girls. He is professor of creative writing at George Mason University and lives in Virginia with his wife and three children.
Helon Habila's fourth novel has it all - intelligence, tragedy,
poetry, love, intimacy, compassion and a serious, soulful,
arms-wide engagement with one of the most acute human concerns of
our age: the refugee crisis...
*The Guardian*
A wonderful gem. . . Heartbreaking but equally life-affirming tales
that beautifully connect and intertwine, leaving us longing for
more
*Elif Shafak*
Once I started reading Travellers, I couldn't stop. With power and
control, it plunges the reader into a maze of lives that crisscross
between Africa and Europe...The novel has all the weight of art
with the sting of breaking news. It faces the urgent questions of
our times and doesn't settle for easy answers...it is indeed Habila
at his best.
*Leila Aboulela*
Urgent, deeply empathetic, and resisting easy answers, TRAVELERS
follows the interconnected lives of African immigrants and refugees
in Europe and examines the meanings of freedom, diaspora and home.
Habila is a masterful storyteller, and this novel a riveting
testament to the power of fiction.
Describing worlds and convergences that are unforgettable, Helon
Habila writes of individual lives - pulled apart by our wars, our
failed states and our deepest fears - with insight and searing
compassion
*Madeleine Thien*
At once intimate and expansive, Travellers captivated me from the
very first pages
*Aminatta Forna*
a parable of our times and Habila tells it beautifully, shedding
poignant light on the world of the dispossessed and the
stateless.
*Mail on Sunday*
Adroitly teasing out the rich quiddity of his characters' diverse
journeys, he instead makes the simple yet valuable point that
refugees' lives are as irreducibly complex as anyone else's.
*The Observer*
A quietly haunting novel that captures the untethered, unreal
nature of migrant and refugee existence.
*Metro*
Yarns of persecution, paranoia, even manslaughter, unspool across
its patchwork pattern. Habila tells them with cunning, flair and a
sleight-of-hand that lightens even the gloomiest scenes.
*The Spectator*
In an era of mass migration, Habila suggests, stories are a common
ground, a means of making ourselves at home with our
homelessness.
*Literary Review*
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