A modern classic of enduring love, winner of the Guardian Fiction Prize.
Jackie Kay was born in Edinburgh. She is a poet, novelist and writer of short stories and has enjoyed great acclaim for her work for both adults and children. She has published two collections of stories with Picador: Why Don't You Stop Talking and Wish I Was Here; a memoir, Red Dust Road; and a collection of poems, Fiere. She teaches at Newcastle University, and lives in Manchester.
Recounted in clear, spare, utterly unsentimental prose . . . the
voices in this tender, compassionate work were still singing in my
head a couple of weeks after I'd finished it
*Observer*
The book's style works like a jazz riff, a literary improvisation
of the central melody of Joss's death
*Independent on Sunday*
In an accomplished display of vocal versatility, Kay shifts
effortlessly between the voices of Millie, Colman and Sophie
Stones, an avaricious journalist who offers to help Colman avenge
himself by ghostwriting a bare-all biography . . . the beauty of
this book is the way its love, the character and story around which
all the others orbit, is kept so intriguingly in the shadows, so
fantastically out of view
*Literary Review*
Kay's powerful rendition of everyday speech combines perfectly with
the themes and construction of her story
*Independent on Sunday*
From the angry and disbelieving voice of the son Colman, whose hurt
and alienation can only find expression through the cliche´s of
tabloid exposé, to Millie's personal elegy for her husband, Jackie
Kay's ear for the poetry as well as for the rudeness of everyday
speech is as powerful as ever
*Times Literary Supplement*
Kay carefully registers the technical difficulties of transgendered
life (breast binding, marriage certificates, death certificates)
without sensationalizing them, and beautifully evokes both Millie's
and Colman's grief. She leaves us with a broad landscape of sweet
tolerance and familial love, wondering how it felt to be Joss
Moody
*New York Times Book Review*
Kay is a writer to respect . . . The qualities of sympathy and
tenderness in this novel make it special
*Guardian*
A rich, taut and compelling novel by a fine writer. A Picador
classic
*Guardian*
A novel whose humanism, humour and vision demolish anyone's urge to
think they've got the right to decide about, categorize or dismiss
other human beings
*New York Times*
|
Ask a Question About this Product More... |
|
