Mary Beard is one of the world's leading classicists and cultural commentators. A specialist in Roman history and art, she is professor of classics at the University of Cambridge and the author of bestselling and award-winning books, including SPQR: A History of Ancient Rome and Women and Power: A Manifesto. She has also written and presented many television programs, from Civilisations and Meet the Romans to The Shock of the Nude. She lives in Cambridge, England. Twitter @wmarybeard
"A Barnes & Noble Best History Book of the Year"
"A Waterstones Best History Book of 2021"
"A CapX Book of the Year"
"One of Kirkus Reviews' Best Nonfiction Books of the Year"
"One of Kirkus Reviews' Best Biographies of the Year"
"A Library Journal Fall 2021 Nonfiction Must"
"What better escape from the woes of our present day than rolling
around in the intrigues of the Roman Empire? Naughty Caesars!
Pictures too! Avidly I plunge in!"
*Margaret Atwood*
"A mesmerizing read."---Michael Dirda, Washington Post
"This deeply researched account explores how Roman art has shaped
the Western world’s understanding of power for two millenniums,
from ancient Roman imperial portraits to the work of the
19th-century American sculptor Edmonia Lewis."
*New York Times*
"Beard, a prolific author and a distinguished classical scholar,
brilliantly describes the ways in which images of Roman emperors
have influenced art, culture and politics for two millennia. . . .
Twelve Caesars is a masterly demonstration of scholarship in a
variety of fields, from republican Roman politics to Renaissance
tapestry to contemporary British collage. Again and again, Ms.
Beard gives us unexpected insights. . . . Twelve Caesars is
wonderfully readable, with graceful prose and witty comments along
the way."---Barry Strauss, Wall Street Journal
"This thoroughgoing survey examines the relationship between
ancient imperial imagery and the modern visual imagination. . . .
With handsome illustrations of coins, canvases, frescoes, and
teacups, Beard brings the prestige and power of these emperors’
half-invented faces into tighter focus."
*The New Yorker*
"Twelve Caesars is fascinating and not only because its author
writes so engagingly. Many years in the making, the world into
which it will be born is not quite the same as the one in which it
was conceived. Its preoccupations—essentially, it’s about the way
that images of Roman emperors from Caesar to Domitian have
influenced culture across the centuries—are suddenly and newly of
the moment in a Britain that has become completely fixated with
statues."---Rachel Cooke, The Observer
"A fantastic new book."---Tom Holland, The Rest Is History
"In [Beard's] work, the consumption of classical culture is as
revealing as the culture itself."---Josh Spero, Financial Times
"[A] fascinating book, which embarks on a study of not just the
Julio-Claudian dynasty of caesars made infamous by Suetonius and
Robert Graves but also of their ubiquitous iconography—in statues,
on coins, in paintings and sculpture. It’s an eye-catching field
guide to these famous ancient rulers."
*Christian Science Monitor*
"Beard upends many of our assumptions by looking at how these
rulers have been represented in art, from antiquity to the
modern-day. It’s a clever and entertaining exercise in helping us
reframe how we think about the distant past."---Darragh Geraghty,
Irish Times
"[A] rich disquisition on the Caesars’ visual representation. . . .
[Twelve Caesars is] handsomely illustrated and brightly ringing
with Beard’s enjoyment and scholarship. . . . Beard shows the joy
of classical texts, and how they are the ultimate resource when
visual art fails to be comprehensible to us."---Hermione Eyre, The
Spectator
"[Twelve Caesars] abounds in expert and keen-eyed readings of Roman
imperial images, with insights into the meanings they might have
held for those who displayed them. . . . [Beard’s] insights are
always original and her lively, cheeky prose style always
compelling."---James Romm, Daily Beast
"Beard has written a fascinating book, one to browse happily. It
sparkles with ideas, many of them characteristically provocative.
Pictorially it is a sheer delight. As for the question of
attribution or misattribution, well, you can read this delightful
book in the spirit of a detective."---Allan Massie, The
Scotsman
"Beard provides a masterclass for art historians and classicists on
the challenges of interpretation and the potentialities of meaning
in this neglected area of classical studies, so important to elite
visual power politics between the 15th and 19th centuries."---Simon
J. V. Malloch, Literary Review
"Beard wades boldly into muddy territory and emerges with a
portrait of the emperors’ afterlives that is as vivid as the busts
themselves. The book leaves little room for doubt as to how
influential the role of later artists and buyers has been in adding
muscle to the sinews of emperors passed down from the ancient
world. The twelve Caesars are arguably among the finest inventions
of posterity."---Daisy Dunn, The Critic
"A leading scholar as well as a writer of bestsellers, [Mary]
Beard, as always, asks important questions. . . . [In Twelve
Caesars,] she leads us through the best available evidence and
delivers insightful answers in lucid prose accompanied by dazzling
images. . . . A lively treatise on Roman art and power, deliciously
opinionated and beautifully illustrated."
*Kirkus Reviews, starred review*
"Incisive prose and wit. . . . This lavishly illustrated volume
will be accessible and interesting to a wide variety of readers; a
must-read for anyone interested in classics or art history."
*Library Journal*
"A sumptuously illustrated, beautifully designed, gloriously rich
work of history from the distinguished classicist with a lively
literary voice, an extraordinary eye for telling detail, and a
grand sense of humor. Twelve Caesars is a masterful, brilliant work
of detection, a joy to read."
*B&N Reads*
"[Twelve Caesars] currently sits on my nightstand. . . . . I've
been interested in power for quite a while: who has it, who
doesn’t, how to acquire it and how to use it for the greater
good."---Bernardine Evaristo, Elle.com
"With her reputation for viewing Roman history through a feminist
lens, Mary Beard may be the most popular classicist in the world. .
. . Focusing on images of power throughout the ages, from ancient
Rome to the present, [Twelve Caesars] will only grow her fan
base."
*ARTnews Magazine*
"[Beard] explores in fascinating and entertaining detail how the
long-dead Roman emperors have lived on in the Western imagination,
providing a rich store of moral and political exemplars to
instruct, warn and mock their successors. . . . Beard provides
instruction as well as entertainment."---Stephen Mills, Inside
Story
"There’s lots of moments in this book that are surprising and very
funny."---Andrew Roberts, BBC Radio Four: Start The Week
"A detective masterpiece of entertaining misattributions,
reinterpretations, and blatant fakes. "---Eugenia Ellanskaya,
Minerva Magazine
"From Beard’s reconstruction of Titian’s extraordinary lost Room of
the Emperors to her reinterpretation of Henry VIII’s famous
Caesarian tapestries, Twelve Caesars includes fascinating detective
work and offers a gripping story of some of the most challenging
and disturbing portraits of power ever."---Angela Crocombe,
Readings
"An enthralling story of how images of Roman emperors have
influenced art, culture, and the representation of power for more
than 2,000 years. . . . Drawing on a wealth of research, and a
multitude of paintings and sculptures, Beard explores the
importance of portraits in Roman politics and provides interesting
insights into famous pieces of art. A fascinating book."
*Canberra Weekly*
"Beard is a consummate reader of images. One of her great strengths
is the way she is constantly alive to the potential for images to
misbehave. . . . A clever, witty, thought-provoking
book."---Alastair J. L. Blanshard, Australian Book Review
"In discussing what the faces of imperial power looked like, Beard
presents a fascinating detective story of changing identities told
through a selection of historical artworks."---Lindsay Powell,
Ancient History
"Engaging, erudite and enormously informative. . . . Beard’s
fascinating book asks its readers to be curious about, and critical
of, redeployments of the images of Roman emperors from the
Renaissance in Italy to 20th-century America."---Marguerite Keane,
America
"Beard’s style of investigation is often just as interesting as
some of her findings. . . . 'Are we sure we know that?' is her
consistent refrain. It’s a refreshing sort of intellectual
humility—speaking confidently when an answer can be known, but
also recognizing when caution is warranted."---Regina Munch,
Commonweal
"[Beard’s] latest triumph. Twelve Caesars takes readers on a
delightful journey through artistic representations of Rome’s
emperors. . . .This book could be read at the beach, then cited in
a dissertation."---Mikayla Barreiro, Comitatus
"An amazing, richly illustrated, book that reveals Mary Beard as a
sleuth."---Scot McKnight, Christianity Today
"[A] welcome contribution to the study of representation of Roman
emperors in early modern visual arts."---Miryana Dimitrova,
Classical Review
"A tour de force of art and intellectual history."---James
Corke-Webster, Greece and Rome
"Twelve Caesars by Mary Beard is a brilliant and engaging
historical account of the lives of twelve Roman emperors. The book
is a remarkable feat of scholarship that brings to life the
personal and political complexities of these powerful men."
*The F*
"[Mary Beard] masterfully combines expert knowledge and scholarly
rigour with a clear and engaging writing style. . . .An important
book with much to say about the place of the Classical World in
modern society."---Donald MacLennan, The Journal of Classics
Teaching
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