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The Twenty-First Century Performance Reader
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Table of Contents

Acknowledgements

In Dialogue...

Introduction

  • Action Hero
  • WHAT’S LOVE GOT TO DO WITH IT? GEMMA AND JAMES AND ACTION HERO

  • Mohammad Aghebati
  • INTERVIEW

  • Patricia Ariza
    INTERVIEW
  • Back to Back Theatre
  • ON MAKING THEATRE

  • Brett Bailey
  • INTERVIEW

  • Dalia Basiouny
  • PERFORMANCE THROUGH THE EGYPTIAN REVOLUTION: STORIES FROM TAHRIR

  • Jérôme Bel

  • INTERVIEW

  • Blast Theory
  • ULRIKE AND EAMON COMPLIANT: ARTISTS’ STATEMENT

  • Tammy Brennan
  • CONFINED: STAGING/IMAGE MOMENTS

  • Tania Bruguera
  • INTERVIEW

  • Builders Association
  • MARIANNE WEEMS IN CONVERSATION WITH ELEANOR BISHOP

  • Liu Chengrui
  • A SELECTION OF ACTIONS

  • Padmini Chettur
    SOME THOUGHTS FOR THE FUTURE
  • Constantin Chiriac
  • INTERVIEW

  • David Chisholm
  • THE MEMORY OF REMEMBERING: EXOMOLOGESIS AND EXAGOREUSIS IN THE EXPERIMENT

  • Clod Ensemble
  • CLOD ENSEMBLE: PERFORMING MEDICINE

  • María José Contreras

  • THE BODY OF MEMORY: MARIA JOSE CONTRERAS’ PERFORMANCE PRACTICES IN THE CHILEAN TRANSITION

  • Augusto Corriere
  • A CONJURING ACT IN THE FORM OF AN INTERVIEW

  • Tim Crouch
  • INTERVIEW

  • Dah Theatre

  • SOME THOUGHTS ON THE QUALITY OF ATTENTION

  • Tess de Quincey

  • A FUTURE BODY

  • Derevo

  • ENDLESS DEATH SHOW

  • Dood Paard
  • ABOUT US

  • Every House Has A Door
  • FROM ONE MEANING TO ANOTHER

  • Eleonora Fabião
  • THINGS THAT MUST BE DONE SERIES

  • Oliver Frljić
  • INTERVIEW

  • Gecko
  • AN ORGANIC JOURNEY

  • GETINTHEBACKOFTHEVAN
  • MAKING THINGS WORSE

  • Gibson/Martelli
  • THE FIFTH WALL

  • Gob Squad
  • ON PARTICIPATION

  • Heiner Goebbels
    AESTHETIC OF ABSENCE: HOW IT ALL BEGAN
  • Chris Goode
  • THE CAT TEST

  • Shirotama Hitsujiya
  • INTERVIEW

  • Hotel Pro Forma
  • PERFORMANCE AS AN INVESTIGATION OF THE WORLD

  • Wendy Houstoun
  • SOME BODY AND NO BODY: THE BODY OF A PERFORMER

  • Imitating The Dog
  • THEATRICALISING CINEMA/SCREENING THEATRE

  • Hiwa K
    INTERVIEW
  • La Fura dels Baus
  • INTERVIEW

  • Lone Twin
  • INTERVIEW

  • Silvia Mercuriali
  • INTERVIEW

  • Monster Truck
  • BUT THE WHORES ALWAYS LOVED ME

  • Needcompany
    INTERVIEW
  • New Art Club
  • HOW WE SET OUT TO MAKE A PIECE ABOUT CONTROVERSIAL WORKS OF ART AND ENDED UP GETTING NAKED AND TALKING ABOUT HOW WE FEEL ABOUT OUR BODIES

  • Kira O’Reilly
  • THE ART OF KIRA O’REILLY

  • Oblivia
  • TIME STOPPER

  • Toshiki Okada

  • INTERVIEW

  • Ontroerend Goed
  • PERSONAL TRILOGY: THE SMILE OFF YOUR FACE, INTERNAL & GAME OF YOU

  • Mike Pearson
  • BUBBLING TOM

  • Michael Pinchbeck
  • THIS IS A LOVE LETTER

  • Punchdrunk
  • INTERVIEW

  • Silviu Purcārete
  • WHERE ARE YOUR TRAINING GROUNDS?

  • Quarantine
  • A SHOW OF HANDS

  • Reckless Sleepers
  • "MIDDLES" & "PHYSICS"

  • Ridiculusmus
  • A CHAT ABOUT COMEDY

  • Rimini Protokoll
  • INTERVIEW

  • Farah Saleh
  • INTERVIEW

  • Peter Sellars
    INTERVIEW
  • Shunt
  • A PERFORMANCE COLLECTIVE

  • Agata Siniarska
  • DO IT TO ME LIKE IN A REAL MOVIE: LECTURE PERFORMANCE

  • Deepan Sivaraman
  • INTERVIEW

  • Sleepwalk Collective
  • LOST IN THE FUNHOUSE, OR ALL YOU NEED TO MAKE A SHOW IS A GIRL AND A MICROPHONE

  • Andy Smith
  • THIS IS IT: NOTES ON A DEMATERIALISED THEATRE

  • Socìetas Raffaello Sanzio

  • THE THEATRE IS NOT OUR HOME: A CONVERSATION ABOUT SPACE, STAGE AND AUDIENCE

  • Junnosuke Tada
    INTERVIEW
  • Third Angel
    TESTING THE HYPOTHESIS
  • Ultima Vez
    INTERVIEW
  • Unlimited
    AM I DEAD YET?
  • Sankar Venkateswaran
    THEATRE OF THE MIND
  • Dries Verhoeven
    INTERVIEW
  • Vincent Dance Theatre
    THE ART OF NOT LOOKING BACK / MOTHERLAND
  • Aaron Williamson
    DEMONSTRATING THE WORLD – A PUBLIC INTERVENTION PERFORMANCE
  • Xing Xin
    INTERVIEW
  • Andriy Zholdak
    THEORY / LECTURES OF ANDRIY ZHOLDAK
  • Index

    About the Author

    Teresa Brayshaw is Principal Lecturer in Performing Arts at Leeds Beckett University and works freelance as a Feldenkrais teacher, theatre practitioner and personal development coach in a range of international contexts. She co-edited the third edition of The Twentieth-Century Performance Reader.

    Anna Fenemore is Associate Professor in Contemporary Theatre and Performance in the School of Performance and Cultural Industries at the University of Leeds. She is also Artistic Director of Manchester-based Pigeon Theatre.

    Noel Witts is Emeritus Professor of Performing Arts at Leeds Beckett University, and a Professorial Fellow at Liverpool Hope University. He is the author of Tadeusz Kantor in the Routledge Performance Practitioners series, and co-editor of all three editions of The Twentieth-Century Performance Reader.

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