Acknowledgements
In Dialogue...
Introduction
WHAT’S LOVE GOT TO DO WITH IT? GEMMA AND JAMES AND ACTION HERO
INTERVIEW
ON MAKING THEATRE
INTERVIEW
PERFORMANCE THROUGH THE EGYPTIAN REVOLUTION: STORIES FROM TAHRIR
Jérôme Bel
INTERVIEW
ULRIKE AND EAMON COMPLIANT: ARTISTS’ STATEMENT
CONFINED: STAGING/IMAGE MOMENTS
INTERVIEW
MARIANNE WEEMS IN CONVERSATION WITH ELEANOR BISHOP
A SELECTION OF ACTIONS
INTERVIEW
THE MEMORY OF REMEMBERING: EXOMOLOGESIS AND EXAGOREUSIS IN THE EXPERIMENT
CLOD ENSEMBLE: PERFORMING MEDICINE
María José Contreras
THE BODY OF MEMORY: MARIA JOSE CONTRERAS’ PERFORMANCE PRACTICES IN THE CHILEAN TRANSITION
A CONJURING ACT IN THE FORM OF AN INTERVIEW
INTERVIEW
Dah Theatre
SOME THOUGHTS ON THE QUALITY OF ATTENTION
Tess de Quincey
A FUTURE BODY
Derevo
ENDLESS DEATH SHOW
ABOUT US
FROM ONE MEANING TO ANOTHER
THINGS THAT MUST BE DONE SERIES
INTERVIEW
AN ORGANIC JOURNEY
MAKING THINGS WORSE
THE FIFTH WALL
ON PARTICIPATION
THE CAT TEST
INTERVIEW
PERFORMANCE AS AN INVESTIGATION OF THE WORLD
SOME BODY AND NO BODY: THE BODY OF A PERFORMER
THEATRICALISING CINEMA/SCREENING THEATRE
INTERVIEW
INTERVIEW
INTERVIEW
BUT THE WHORES ALWAYS LOVED ME
HOW WE SET OUT TO MAKE A PIECE ABOUT CONTROVERSIAL WORKS OF ART AND ENDED UP GETTING NAKED AND TALKING ABOUT HOW WE FEEL ABOUT OUR BODIES
THE ART OF KIRA O’REILLY
TIME STOPPER
Toshiki Okada
INTERVIEW
PERSONAL TRILOGY: THE SMILE OFF YOUR FACE, INTERNAL & GAME OF YOU
BUBBLING TOM
THIS IS A LOVE LETTER
INTERVIEW
WHERE ARE YOUR TRAINING GROUNDS?
A SHOW OF HANDS
"MIDDLES" & "PHYSICS"
A CHAT ABOUT COMEDY
INTERVIEW
INTERVIEW
A PERFORMANCE COLLECTIVE
DO IT TO ME LIKE IN A REAL MOVIE: LECTURE PERFORMANCE
INTERVIEW
LOST IN THE FUNHOUSE, OR ALL YOU NEED TO MAKE A SHOW IS A GIRL AND A MICROPHONE
THIS IS IT: NOTES ON A DEMATERIALISED THEATRE
Socìetas Raffaello Sanzio
THE THEATRE IS NOT OUR HOME: A CONVERSATION ABOUT SPACE, STAGE AND AUDIENCE
Index
Teresa Brayshaw is Principal Lecturer in Performing Arts at Leeds Beckett University and works freelance as a Feldenkrais teacher, theatre practitioner and personal development coach in a range of international contexts. She co-edited the third edition of The Twentieth-Century Performance Reader.
Anna Fenemore is Associate Professor in Contemporary Theatre and Performance in the School of Performance and Cultural Industries at the University of Leeds. She is also Artistic Director of Manchester-based Pigeon Theatre.
Noel Witts is Emeritus Professor of Performing Arts at Leeds Beckett University, and a Professorial Fellow at Liverpool Hope University. He is the author of Tadeusz Kantor in the Routledge Performance Practitioners series, and co-editor of all three editions of The Twentieth-Century Performance Reader.
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