Notice what art at its best can do: shape memories so vividly that
the reader can visit them, touch the landscape, speak to dead
relatives. In Under an Adirondack Moon, C. Ann Kodra offers us an
aerial and close-up view of the Adirondack terrain and of her
people who lived, worked, built houses, tilled the land, grieved
and exulted. Now her people are ours, too. Community and
connectedness reign in this opus, and so does freedom of spirit:
"Imagine the walls lifting in your lifetime." The poet helps the
reader to feel the weightlessness, the liberation, that
well-crafted imagination can create for us. Kodra's poems are a
place we can inhabit with more breathing room than our busy lives
usually permit.--Marilyn Kallet,
The Love That Moves Me
Many of us "Baby-Boom" poets have written about the loss of parents
and old ones, and our memories of the lives, stories, farms and
small towns of childhood. It is dangerous territory for the writer,
not only for the dark muddy well it can stir inside, but also for
the trap of sentimentality and cliche that lies within easy reach.
Cathy Kodra manages to avoid all the traps in Under an Adirondack
Moon, a poetic memoir of her family and an unflinching, complex
portrait of her father. "I don't know if this is sorrow or joy, /
finding myself in the house where everything / has vanished," she
writes, as she gifts both to us over and over in this book, the
best debut collection I've read in many years.--Rita Sims
Quillen,
The Mad Farmer's Wife
These poems rise like blossoms from an heirloom garden, filling the
senses with voices, textures, and omens that delight, entertain and
edify as they gently open the reader to a world that still
glistens, under an Adirondack Moon.--Don Williams,
writer, founder of New Millennium Writings
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