Introduction 1. From Eurocentrism to Polycentrism 2. Formations of Colonialist Discourse 3. The Imperial Imaginary 4. Tropes of Empire 5. Stereotype, Realism and the Struggle over Representation 6. Ethnicities-in-Relation 7. The Third Worldist Film 8. Aesthetics of Resistance 9. The Politics of Multiculturalism in the Postmodern Age 10. Twenty Years After: Thinking about Unthinking
Robert Stam is University Professor at New York University. He is
the author or co-author of more than 15 books, which have been
translated, in their entirety or in part, into 17 languages. He has
lived and taught in France, Brazil, Germany, Tunisia, and the
U.A.E. (Abu Dhabi), and has received Rockefeller, Fulbright,
Guggenheim, and Princeton’s Davis Center for Historical Studies
Awards.
Ella Shohat is Professor of Cultural Studies at New York
University. Translated into diverse languages, her books include:
Taboo Memories, Diasporic Voices; Israeli Cinema; Talking Visions;
and with Robert Stam, Multiculturalism, Postcoloniality and
Transnational Media; Flagging Patriotism; and Race in
Translation. Her awards include Fulbright, Rockefeller, and the
Society for the Humanities at Cornell University, where she also
taught at The School of Criticism & Theory.
"Unthinking Eurocentrism was so refreshing because of the confidence of its eclecticism, the forcefulness of its arguments, the range of its geographical and linguistic materials, and the way it brought indigenous issues to the centre of political and intellectual debate. The obligation to ‘unthink Eurocentrism’ has not diminished in the last twenty years, so the 2014 edition is welcome, with the new Afterword amply demonstrating that Shohat and Stam have lost none of their stamina or their lucidity. Readers’ horizons will again be broadened."Peter Hulme, Department of Literature, Film, and Theatre Studies, University of Essex"Unthinking Eurocentrism was a hugely influential book, and remains so twenty years later. It informed my approach to the study of film from early on, in conveying how film and media countersign ideology and the subtle workings of social consciousness. It taught me to approach film not solely as text, but first and foremost as context; to focus on film culture and mediated discourse. Unthinking Eurocentrism’s utter exuberance of referencing was particularly inspirational. Confidently flowing and cutting across cultures and discourses whilst revealing patterns of othering and orientalisation that work throughout the world, both outside and within Europe, it motivates and excites. This is how I want all writing on film to be: rich and intense. It is a book that shaped, and continues shaping, all my work."Dina Iordanova, Professor of Global Cinema and Creative Cultures and Director of the Centre for Film Studies, University of St. Andrews
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