Table of Contents

Acknowledgements
Introduction: Video Media
PART ONE THEORY
Videography: The Helical Scan Video, Modernity and Modernism
In Search of the Lost Audience
The Subject of Art Vision Video in the Field of Film Enthusiasm
Video Looks at Television Sound: Video, Noise and Music
PART TWO PRACTICE
Magnetic Memories: Video, Power and Representation
The Monk and the Maenad: Dialectics of the Video Apparatus
Allegory and Crisis of Signification Inconclusion
Electronic Ecology Chronology
List of Videos and Distributors
Bibliography
Index.

About the Author

Sean Cubitt is Professor of Media and Communications at the University of Melbourne, Australia.