Vignettes from the Late Ming
Acknowledgments
Hsiao-p'in of the late Ming: An Introduction
Editorial Notes
Map
Kuei Yu-kuang
1) Foreword on "Reflections on The Book of Documents"
2) A Parable of Urns
3) Inscription on the Wall of the Wild Crane Belvedere
4) The Craggy Gazebo
5) The Hsiang-chi Belvedere
6) An Epitaph for Chillyposy
Lu Shu-sheng
1) Inkslab Den
2) Bitter Bamboo
3) A Trip to Wei Village
4) A Short Note about My Six Attendants in Retirement
5) Inscription on Two Paintings in My Collection
6) Inscription on a Portrait of Tung-p'o Wearing Bamboo Hat and
Clogs
Hsü Wei
3) To Ma Ts'e-chih
4) Foreword to Yeh Tzu-shu's Poetry
5) Another Colophon (On the Model Script "The Seventeenth" in the
Collection of Minister Chu of the Court of the Imperial Stud)
6) A Dream
Li Chih
1) Three Fools
2) In Praise of Liu Hsieh
3) A Lament for the Passing
4) Inscription on a Portrait of Confucius at the Iris Buddhist
Shrine
5) Essay: On the Mind of a Child
T'u Lung
1) A Letter in Reply to Li Wei-yin
2) To a Friend, while Staying in the Capital
3) To a Friend, after Coming Home in Retirement
Ch'en Chi-ju
2) Trips to See Peach in Bloom
3) Inscription on Wang Chung-tsun's A History of Flowers
4) A Colophon to A History of Flowers
5) A Colophon to A Profile of Yao P'ing-chung
6) Selections from Privacies in the Mountains
Yüan Tsung-tao
1) Little Western Paradise
2) A Trip to Sukhavati Temple
3) A Trip to Yüeh-yang
4) Selections from Miscellanea
Yüan Hung-tao
2) First Trip to West Lake
3) Waiting for the Moon: An Evening Trip to the Six Bridges
4) A Trip to the Six Bridges after a Rain
5) Mirror Lake
6) A Trip to Brimming Well
7) A Trip to High Beam Bridge
8) A Biography of the Stupid but Efficient Ones
9) Essay: A Biography of Hsü Wen-ch'ang
Yüan Chung-tao
1) Foreword to The Sea of Misery
2) Shady Terrace
3) Selections from Wood Shavings of Daily Life
Chung Hsing
1) Flower-Washing Brook
2) To Ch'en Chi-ju
3) A Colophon to My Poetry Collection
4) Colophon to A Drinker's Manual (Four Passages)
5) Inscription after Yüan Hung-tao's Calligraphy
6) Inscription on My Portrait
Li Liu-fang
1) A Short Note about My Trips to Tiger Hill
2) A Short Note about My Trips to Boulder Lake
3) Inscriptions on An Album of Recumbent Travels in Chiang-nan
(Four Passages)
4) Horizontal Pond
5) Boulder Lake
6) Tiger Hill
7) Divinity Cliff
1) Inscription on A Picture of Solitary Hill on a Moonlit Night
Wang Ssu-jen
1) A Trip to Brimming Well
2) A Trip to Wisdom Hill and Tin Hill
3) Passing by the Small Ocean
4) Shan-hsi Brook
T'an Yüan-ch'un
1) First Trip to Black Dragon Pond
2) Second Trip to Black Dragon Pond
3) Third Trip to Black Dragon Pond
Chang Tai
1) Selections from Dream Memories from the T'ao Hut
2) A Night Performance at Golden Hill
3) Plum Blossoms Bookroom
4) Drinking Tea at Pop Min's
5) Viewing the Snow from the Mid-Lake Gazebo
6) Yao Chien-shu's Paintings
7) Moon at Censer Peak
8) Liu Ching-t'ing the Storyteller
9) West Lake on the Fifteenth Night of the Seventh Month
10) Wang Yüeh-sheng
11) Crab Parties
12) Lang-hsüan, Land of Enchantment
1) An Epitaph for Myself
2) Preface to Searching for West Lake in Dreams
Appendix A: Table of Chinese Historical Dynasties
Appendix B: Late Ming through Early Ch'ing Reign Periods
Notes
Bibliography
Index
Vignettes from the Late Ming is a judicious selection of informal essays ... [that] introduce aspects of traditional Chinese life that one cannot read about in more formal types of writing. These essays also tell us something about late-Ming sensibility and introduce the personality of some very interesting thinkers and writers... A most welcome work. -- David R. Knechtges, University of Washington The selection is excellent; the best writers are included, and good examples by each. There is no [other] such anthology ... available in any Western language. -- Jonathan Chaves, The George Washington University
Yang Ye is professor emeritus and former director of the East Asian Languages and Civilizations Program at the University of California, Riverside.
"This slim—and handsome—volume constitutes a very fine contribution
to the recent flurry of translations of traditional Chinese
literature, one that can serve as both textbook and reference for a
variety of readers."
*Journal of Asian and African Studies*
"Xiaopin, those brief, informal, and anecdotal essays that we
associate with the late Ming, have been virtually invisible in the
body of Chinese literature available in English translation. We
have needed an anthology like Professor Ye’s for some time, and for
a number of reasons. Xiaopin (or as Ye handily calls it, the
“vignette”) is a delightful and approachable genre full of engaging
but intimate surprises, and is thus a wonderful addition to a
Chinese literature syllabus. Xioapin also help a great deal in
rounding out our understanding of how the late imperial literati we
encounter in historical studies perceived their embeddedness in a
world that was only half public. Professor Ye has helped us get
around the difficulty of Ming Classical Chinese by giving us a book
of late-Ming informal prose that will be useful and engaging in
undergraduate literature courses taught in English, but it deserves
to be noticed by a wider readership as well."
*Ming Studies*
"This book is well-produced and well-designed. It is also itself
like a hsiao-p’in, short and elegant."
*Sino-Platonic Papers 98*
"This slim volume makes a major contribution to the field of Ming
literary history. Yang Ye’s selection of texts and his elegant
translations bring to the English-reading audience a representative
yet varied sample of the xiaopin genre, which flourished in the
final decades of the sixteenth and through the seventeenth
centuries. These brief writings, dealing with the concerns,
experiences, and objects of everyday life as well as with exotic
and transitory phenomena, provide a unique window into Chinese
society during an age of mounting crises and widespread anxiety.
Yang Ye’s anthology of xiaopin translations is a welcome and
significant addition to the corpus of Ming texts available in
translation."
*Journal of Asian Studies*
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