"An extraordinarily helpful volume that will save untold hours of
reference time for the student, the general reader, and the
literary scholar."
*The Modern Language Journal*
"A reference work of distinction which all who work in the field of
literary studies will find extremely useful if not, indeed,
indispensable."
*Classical Journal*
"I consider this volume nearly as essential for any working poet as
a good dictionary."---Judson Jerome, Writer's Digest
"A work of scholarship, much humour and literary value."
*The Times Literary Supplement*
"No handier one-volume compendium is now available to provide so
much useful, authoritative material on the history, theory, and
craft of imaginative writing."
*Books Abroad*
"Nattiez's study--an exposition of the aesthetic of androgyny, its
place in nineteenth-century thought, and its particular
manifestation in Wagner's oeuvre--is breathtaking in the depth of
its research and thoroughly persuasive in the connections it traces
in the history of ideas. . . . A dazzling display of argumentation,
. . . [offering] countless insights both profound and
fascinating."---Barry Millington, Opera
"Nattiez's synthetic approach to Wagner's theory and practice . . .
coupled with his profound understanding of the composer's life,
make this volume a major contribution to Wagnerian studies. . . .
It is a highly enriching and most comprehensive treatment of Wagner
the artist and the human being."---Steven R. Cerf, Wagner Notes
"The book provides an analysis of Wagner that is both detailed and
erudite. Nattiez is especially successful in describing the
intellectual world in which Wagner worked. . . . Wagnerians and
scholars of contemporary hermeneutics will find much to enjoy
here."---Peter J. Rabinowitz, Opera Quarterly
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