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The Warrior's Camera
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Table of Contents

Illustrations ix Acknowledgments xiii Introduction xv 1 Viewing Kurosawa 3 2 The Dialectics of Style 32 3 Willpower Can Cure All Human Ailments 67 4 Experiments and Adaptations 114 5 Form and the Modern World 155 6 History and the Period Film 200 7 Years of Transition 250 8 The Final Period 292 9 The Legacy 340 Notes 359 Films Directed by Akira Kurosawa 397 Bibliography 399 Index 411

About the Author

Stephen Prince is Associate Professor of Communication Studies at Virginia Tech. His recent books include Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies.

Reviews

One of Choice's Outstanding Academic Titles for 1991 "The Warrior's Camera is not only a thoughtful, stimulating and rigorous study but also a major addition to both Kurosawa and Japanese film scholarship. Its examination of the intersection of self, culture, and history is meticulously done; its extended close analysis of individual films, especially Ikiru, Yojimbo, High and Low, and Red Beard, is superbly confident."--Film Quarterly "The subtle nuances that enrich Akira Kurosawa's intense cinemagraphic imagery distinguish Stephen Prince's insightful study, The Warrior's Camera."--American Cinematographer "[Prince's] close analysis of the films generates many superb insights. This work is accessible, nicely illustrated and an essential text about a great subject."--Choice

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