Table of Contents

• Introduction by Lynn Stegner
• Louise Erdrich, Big Grass
• Larry Woiwode, Wealth of the West
• Larry Watson, Whose West? Which West? West of What?
• Dan O'Brien, Viewed from Ground Level
• Kent Meyers, Naked Time
• Ron Hansen, Why the West?
• Jonis Agee, The Fence
• Antonya Nelson, Two or Three Places
• Rick Bass, The Light at the Bottom of the Mind
• Allison Adelle Hedge Coke, Points
• Jim Barnes, Between the Sans Bois and the Kiamichi
• Larry McMurtry, Excerpt from Walter Benjamin at the Dairy Queen
• Susanna Sonnenberg, Slurry, Drainage, Frontage Road
• Jim Harrison, Geopiety
• River Sequence I–VII
• Gary Ferguson, Wolf and Coyote and Kumbaya
• Judy Blunt, What We Leave
• Ed Kemmick, Reading Montana
• Dan Aadland, Ranching in Suburbia
• Russell Rowland, Chasing the Lamb
• Annick Smith, The Summer of Now
• John Clayton, The Native Home of Governors on Horseback
• Willard Wyman, The Way Home
• Melissa Kwasny, The Imaginary Book of Cave Paintings
• Walter Kirn, Livingston Blows
• William Kittredge, Where Should We Be?
• Alyson Hagy, Self-Portrait as the Strong and Silent Type
• Kenneth Lincoln, Blood West
• Lee Ann Roripaugh, Motherlands and Mother Tongues: Five Reflections on Language and Landscape
• C. J. Box, Blame It on Rancho Deluxe
• Teresa Jordan, The Conceit of Girls
• Beth Loffreda, Pinus Contorta
• Gretel Ehrlich, Where the Burn Meets the Dead
• Stephen Graham Jones, Two Illustrations of the West, the first being second-hand, the second first
• Laura Pritchett, Cowboy Up, Cupcake? No Thanks
• Patricia Nelson Limerick, The Fatal West
• Page Lambert, A Shape-Shifting Land
• Tom Miller, Moving West, Writing East
• Gary Nabhan, Tasting a Sense of Place in the Arid West
• Denise Chávez, Entre Mundos/Between Worlds
• David Lee, Matins in the Cathedral of Wind
• Kim Barnes, On Language: A Short Meditation
• Ron Carlson, Utah Cabin Under Heaven, July 3
• Debra Gwartney, Plucked from the Grave
• Robert Wrigley, Two Poems
  • Progress
  • County
• Stephen Trimble, Tumbling Toward the Sea
• Terry Tempest Williams, Friendship
• Amy Irvine, Red
• Jim Hepworth, Growing Up Western
• Charles Bowden, No Direction Home
• Sally Denton, Beyond This Place There Be Dragons
• Douglas Unger, City of Nomads, City of Second Chances
• Ursula K. Le Guin, Places Names
• John Daniel, East to the West
• David Guterson, Three Poems
  • Closed Mill
  • Neighbors
  • White Firs
• Craig Lesley, Celilo Falls
• Barry Lopez, A Dark Light in the West: Racism and Reconciliation
• David Mas Masumoto, Dirty Stories
• Gary Snyder, Two Poems: The Black-tailed Hare
• Covers the Ground
• Louis B. Jones, "It's Like They Tilted the Whole Country East-to-West. And Everything that Wasn't Tied-Down Slid"
• Peter Fish, Star Struck
• Maxine Hong Kingston, Dias de los Muertos
• Harold Gilliam, The San Francisco Psyche
• Jane Hirshfield, Three Poems
  • The Supple Deer
  • Building and Earthquake
  • The Dark Hour
• Greg Sarris, Maria Evangeliste
• Kris Saknussemm, Headed
• Page Stegner, The Sense of No Place
• Biographies

Promotional Information

The first collection of its kind in scope and ambition, this volume brings together the most prominent western writers of the current generation to create new visions of the American West--"the West that is still becoming"

About the Author

Lynn Stegner is the author of four works of fiction, three of them novels-Because a Fire Was in My Head (which won the Faulkner Award for Best Novel and was a Literary Ventures Selection, a Book Sense Pick, and a New York Times Editors' Choice), Undertow, and Fata Morgana-and the novella triptych Pipers at the Gates of Dawn (Faulkner Society Gold Medal in the novella category).

Russell Rowland has published two novels: In Open Spaces, which earned a starred review from Publisher's Weekly and made the San Francisco Chronicle's Bestseller List, and The Watershed Years, which was a finalist for the High Plains Book Award for fiction.

Reviews

"[A] collection of sisty-seven deeply personal musings about the West. Although the contributing authors address many classic western themes such as vast open space, natural beauty, and the rugged cowboy, they all express the common theme of 'interdependence'. West of 89 is a window into the soul of the West." - Kansas History