Sue Miller is the bestselling author of The God Mother, Inventing the Abbotts, Family Pitctures, For Love, and The Distinguished Guest. She lives in Boston.
"Riveting . . . The narrative pacing is masterly, building tension
even in the most psychologically subtle passages. . . . While I Was
Gone celebrate[s] what is impulsive in human nature."
--CHRISTOPHER LEHMANN-HAUPT
The New York Times
"MILLER WEAVES HER THEMES OF SECRECY, BETRAYAL AND FORGIVENESS INTO
A NARRATIVE THAT SHINES."
--Time
"FASCINATING . . . A NEW NOVEL OF GREAT INTEGRITY AND POWER . . .
Despite having a loving husband, three vivacious daughters, a
beautiful home in rural Massachusetts, and satisfaction in her
work, Jo Becker's mind is invaded by a persistent restlessness.
Then, an old roommate reappears to bring back Jo's memories of her
early 20s. . . . Her obsession with that period of her life and
with the crime that concluded it eventually estrange Jo from
everything she holds dear, causing her to tell lie after lie as she
is pulled closer to this man from her past--and to a horrible
secret."
--Milwaukee Journal-Sentinel
"MARVELOUS . . . POIGNANT . . . POWERFUL."
--Seattle Times/Post Intelligencer
"A BEAUTIFUL AND FRIGHTENING BOOK . . . MANY READERS WILL FIND IT
DIFFICULT TO FORGET. . . . It swoops gracefully between the past
and the present, between a woman's complex feelings about her
husband and her equally complex fantasies--and fears--about another
man. . . . I can think of few contemporary novelists--John Updike
and Frederick Buechner are two others--who write so well about the
trials of faith."
--The New York Times Book Review
"QUIETLY GRIPPING . . . Jo shines steadily as the flawed and
thoroughly modern heroine. As in her 1986 novel, The Good Mother,
Miller shows how impulses can fracture the family."
--USA Today
The shadowy and inexorable nemesis of past secrets to a reclaimed life, and the inability even of those who are intimates to really know one another, are poignant themes in Miller's resonant fifth novel. Narrator Jo Becker, now a veterinarian married to a minister in a small Massachusetts town, was once a runaway bride who assumed a false name and lived with other dissaffected '60s bohemians in a group house in Cambridge. Her special friend in the house was sweet-spirited and generous Dana Jablonski, whose shocking‘and unsolved‘murder broke up the group and left Jo with unresolved questions about her own identity. She manages to ignore the memories of that time until, almost three decades later, one of the former housemates, Eli Mayhew, moves to her town. Eli, now a distinguished research scientist, provides a revelation that acts as the catalyst provoking Jo to face her guilt about her past behavior‘and to act impulsively once again. Her moral conundrum occasions a heartrending change in her heretofore strong marriage and undermines her relationship with her three grown daughters. As usual, Miller (The Good Mother; Family Pictures) renders the details of quotidian domesticity with bedrock veracity and a sensitivity to minute calibrations of family dynamics, especially the nuances of sibling rivalry. But while the pacing, tone and measured exposition are handled with masterly skill, the way in which Jo's decision to make amends for her past rebounds on her present life seems staged and convoluted, since her husband and children seem to think that retribution for a murder should take second place to their own emotional needs. That cavil aside, Miller's narrative is a beautifully textured picture of the psychological tug of war between finding integrity as an individual and satisfying the demands of spouse, children and community. 150,000 first printing; Random House audio; BOMC selection; author tour. (Feb.)
"Riveting . . . The narrative pacing is masterly, building tension
even in the most psychologically subtle passages. . . . While I Was
Gone celebrate[s] what is impulsive in human nature."
--CHRISTOPHER LEHMANN-HAUPT
The New York Times
"MILLER WEAVES HER THEMES OF SECRECY, BETRAYAL AND FORGIVENESS INTO
A NARRATIVE THAT SHINES."
--Time
"FASCINATING . . . A NEW NOVEL OF GREAT INTEGRITY AND POWER . . .
Despite having a loving husband, three vivacious daughters, a
beautiful home in rural Massachusetts, and satisfaction in her
work, Jo Becker's mind is invaded by a persistent restlessness.
Then, an old roommate reappears to bring back Jo's memories of her
early 20s. . . . Her obsession with that period of her life and
with the crime that concluded it eventually estrange Jo from
everything she holds dear, causing her to tell lie after lie as she
is pulled closer to this man from her past--and to a horrible
secret."
--Milwaukee Journal-Sentinel
"MARVELOUS . . . POIGNANT . . . POWERFUL."
--Seattle Times/Post Intelligencer
"A BEAUTIFUL AND FRIGHTENING BOOK . . . MANY READERS WILL FIND IT
DIFFICULT TO FORGET. . . . It swoops gracefully between the past
and the present, between a woman's complex feelings about her
husband and her equally complex fantasies--and fears--about another
man. . . . I can think of few contemporary novelists--John Updike
and Frederick Buechner are two others--who write so well about the
trials of faith."
--The New York Times Book Review
"QUIETLY GRIPPING . . . Jo shines steadily as the flawed and
thoroughly modern heroine. As in her 1986 novel, The Good Mother,
Miller shows how impulses can fracture the family."
--USA Today
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