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Wicked
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New or Used: US$11.44
New or Used: US$11.44
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The stunning novel that casts a spell over every reader and inspired a phenomenally successful musical

About the Author

Gregory Maguire is a bestselling author who has earned rave reviews and a dedicated following for Wicked". He received his doctorate in English Literature from Tufts University, and has taught at Simmons College and other Boston area colleges. He has also served as an artist-in-residence at the Blue Mountain Center, the Isabella Stewart Gardner Museum and the Hambridge Center. Gregory has lived in Dublin and London, but now makes his home near Boston, Massachusetts, with his partner, their two sons and daughter.

Reviews

Born with green skin and huge teeth, like a dragon, the free-spirited Elphaba grows up to be an anti-totalitarian agitator, an animal-rights activist, a nun, then a nurse who tends the dying‘and, ultimately, the headstrong Wicked Witch of the West in the land of Oz. Maguire's strange and imaginative postmodernist fable uses L. Frank Baum's Wonderful Wizard of Oz as a springboard to create a tense realm inhabited by humans, talking animals (a rhino librarian, a goat physician), Munchkinlanders, dwarves and various tribes. The Wizard of Oz, emperor of this dystopian dictatorship, promotes Industrial Modern architecture and restricts animals' right to freedom of travel; his holy book is an ancient manuscript of magic that was clairvoyantly located by Madam Blavatsky 40 years earlier. Much of the narrative concerns Elphaba's troubled youth (she is raised by a giddy alcoholic mother and a hermitlike minister father who transmits to her his habits of loathing and self-hatred) and with her student years. Dorothy appears only near novel's end, as her house crash-lands on Elphaba's sister, the Wicked Witch of the East, in an accident that sets Elphaba on the trail of the girl from Kansas‘as well as the Scarecrow, the Tin Woodsman and the Lion‘and her fabulous new shoes. Maguire combines puckish humor and bracing pessimism in this fantastical meditation on good and evil, God and free will, which should, despite being far removed in spirit from the Baum books, captivate devotees of fantasy. 50,000 first printing; $75,000 ad/promo; first serial to Word; author tour. (Oct.)

'Gregory Maguire's Wicked" falls into a fascinating sub-genre of novels that revisit well-known stories as much in the spirit of criticism as homage. Maguire...makes sense of Baum's whims, creating a credible Oz for grown-ups, with religion, politics, racial tensions, an economy, mythology, humour and sex... As moving and tragic as it is refreshing and scurrilous... This outstanding novel.' -- The Independent 20060308

YA‘Elphaba, the future Wicked Witch of the West, has gotten a bum rap. Her mother is embarrassed and repulsed by her bright-green baby with shark's teeth and an aversion to water. At college, the coed experiences disapproval and rejection by her roommate, Glinda, a silly girl interested only in clothes, money, and popularity. Elphaba is a serious and inquisitive student. When she learns that the Wizard of Oz is politically corrupt and causing economic ruin, Elphaba finds a sense of purpose to her life‘to stop him and to restore harmony and prosperity to the land. A Tin Man, Cowardly Lion, Scarecrow, and an unknown species called a "Dorothy" appear in very small roles... The story presents Elphaba in a sympathetic and empathetic manner-readers will want her to triumph! The conclusion, however, is the same as L. Frank Baum's. The book has both idealism and cynicism in its discussion of social, religious, educational, and political issues present in Oz, and, more pointedly, present in our day and time. The idealism is whimsical and engaging; the cynicism is biting. Sometimes the earthy language seems appropriate and adds to the sense of place; sometimes the four-letter words and sexual explicitness distract from the charm of the tale. The multiple threads to the plot proceed unevenly, so that the pace of the story jumps rather than moves steadily forward. Wicked is not an easy rereading of The Wizard of Oz. It is for good readers who like satire, and love exceedingly imaginative and clever fantasy.‘Judy Sokoll, Fairfax County Public Library, VA

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