About the Author

With more than 60 fiction and nonfiction titles for children to her credit, Aliki has been delighting her many fans since her first book was published in 1960. Born in New Jersey, she now lives in New York City.

Aliki's books for young readers include the Let's-Read-and-Find-Out titles Digging Up Dinosaurs, Fossils Tell of Long Ago, My Feet, and My Hands. Other nonfiction books by Aliki include How a Book Is Made, Mummies Made in Egypt, My Visit to the Aquarium, My Visit to the Dinosaurs, My Visit to the Zoo, Wild and Woolly Mammoths, and William Shakespeare & the Globe.

Reviews

"Aliki takes on an ambitious project and completes it with a pervasive sense of history and a fine sense of style. This biography of Shakespeare is also an appealing history of the Globe Theater."-- "Booklist, " Editors' Choice 1999Aliki conveys biographical facts about the Bard through lively prose and meticulously executed drawings and paintings . . .A fresh, sometimes amusing, always intriguing look at William Shakespeare and Sam Wanamaker -- two men of different centuries, each with rare genius.CCBC Choices 2000

William Shakespeare may get top billing in the title of this picture book, but the emphasis within is less certain. Aliki (Mummies Made in Egypt) doesn't investigate Shakespeare as a personality; dividing her work into five "acts," she focuses more on Elizabethan culture, dramatic conventions and living conditions, then shifts to Sam Wanamaker and the process of renovating the Globe in the 20th century. Aliki employs serviceable, almost pedestrian statements to convey the history, stretching occasionally toward cleverness. Of the open-ceilinged Globe, she comments, "When it rained, [the audience] knew it." The material on Wanamaker's restoration sheds light on the process by which the new Globe was built ("The first and only thatched roof in London since 1666"), although the character of Sam, with whom readers are meant to identify, remains bland. Pages are loaded with small panel illustrations of characters and historic figures in exaggerated poses. They capture a jolly theatrical spirit (nearly everyone in the quaint colored-pencil pictures wears a gentle smile), yet the many crowd scenes do not repay scrutiny. Unlike Diane Stanley's work in Bard of Avon, these pictures give only a broad idea of the historical context. Quotations from the bard populate the margins, and numerous appendixes provide facts. The wide range of information here makes this book a useful introduction to Elizabethan theater, despite its disparate themes and generalized pictures. All ages. (May) Copyright 1999 Cahners Business Information.

Gr 3-6-This captivating biography introduces the real-life players and masterfully scripts historical events. Engaging illustrations and an impressive amount of information make this presentation a hit. (May) Copyright 1999 Cahners Business Information.