Inga Moore's title "Six Dinner Sid" won the 1990 Smarties Book Prize (0-5 Category).)
Kenneth Grahame was born in 1859 and wrote fiction and fantasy for
children. He is most famous for The Wind in the Willows
(1908), which is considered to be one of the greatest classics of
children's literature. He also wrote The Reluctant Dragon
which was later adapted to a Disney movie.
With a career in illustration spanning over 30 years, Inga Moore is a highly distinguished author and illustrator of children's books, who has illustrated numerous classics to much critical acclaim, including Kenneth Grahame's The Wind in the Willows, Frances Hodgson Burnett's The Secret Garden and Oscar Wilde's The Canterville Ghost. Her other picture book titles include A House in the Woods, Captain Cat and the award-winning title, Six Dinner Sid, which continues to grace bookshop shelves 20 years on from publication. Born in Sussex but raised in Australia, Inga returned to England as an adult and now lives in Herefordshire.
Gr 3-5-Stout-hearted Dorothy, dashing but naive D'Artagnan, and feckless Toad are introduced to young graphic-novel enthusiasts. Each book is a serviceable representation of the original work, hitting all relevant plot points in a somewhat rigidly paced 70 to 100 pages. Occasional anachronisms are jarring (D'Artagnan asks, "Are you okay?"). Unfortunately, the pages in Oz suffer from serious overcrowding: detail-heavy panels are arranged in an overlapping layout with no gutters between panels, making the book visually dense. Colors glare and characters appear stiff. Eric Shanower's graphic-novel edition of the same book (Marvel Classics) is easier on the eyes. Musketeers is drawn in a sharper-edged but still goofy style that emphasizes the humor in every scene. Willows is illustrated in an exaggerated cartoon style, with pop-eyed, loose-limbed characters that are a sharp contrast to depictions in other recent illustrated editions by artists such as Robert Ingpen, Luanne Rice, and Inga Moore. No library should be without these classics, but these adaptations may not be the best ones to choose.-Paula Willey, Baltimore County Public Library, Towson, MD (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Mary Jane Begin illustrates the classic story of Mole, Badger, Rat and Toad, The Wind in the Willows by Kenneth Grahame. Each chapter opens with a vignette and includes a full-page painting of a dramatic moment in the proceedings.
Originally published in France in 1996, this edition collects the four corresponding English-language volumes that were first issued between 1997 and 2002 by NBM. Plessix's style has been called "detailed impressionism," and the limpid watercolors of his lavish adaptation give that "Somewhere Else" quality to the classic story--2008 is the 100th anniversary of Graham's novel. So many adaptations have so little space to work in that they seem more like CliffsNotes versions. But Plessix has truly adapted the tale with most of the narrative details intact--and a few new twists at the end. And while the anthropomorphic animal characters have a cute, cartoony quality, the overall effect of a timeless, golden world is not thereby disrupted; all the looniness and love of nature from the original come through beautifully. Somehow the world of Mole and his friends suggests an animal Hobbiton in a Ring-less alternative universe, where talking animals and humans coexist amid a gloriously bucolic world of water, woods, and fields based on preindustrial rural England. Unfortunately, the pages are a little too small to showcase the details of Plessix's lush art as it deserves. For all ages.--M.C. Copyright 2008 Reed Business Information.
A stunning achievement - Moore's illustrations are just so perfect
for the book that you can almost feel Kenneth Grahame smiling down
upon it. * The Sunday Telegraph *
A book for your child to treasure - and, in time, share with their own children. * The Good Book Guide *
Inga Moores' illustrations are truly enchanting. With faultless draughtmanship, witty characterisation, a mass of period detail and breathtaking evocations of the English countryside. * The Guardian *
With its wit, charm and finesse, and its atmospheric use of colour, her work rewards endless exploration. -- Joanna Carey * The Financial Times *