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Women's Playwriting and the Women's Movement, 1890-1918
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Table of Contents

AcknowledgmentsIntroduction



  1. The Female Playwright in the 1890s






  2. The New Woman on the Stage




  3. Ingenues, Wives, and Mothers: Women's Drama in the West End




  4. The Orthodox Roots of Suffrage Theatre






  5. A New Heroine for a New Century: Women's Drama and the Modernist Theatre
ConclusionBibliographyIndex

About the Author

Anna Farkas is Assistant Professor of English Literature at Regensburg University, Germany. She is co-editor of Interdisciplinary Perspectives on Aging in Nineteenth-Century Culture (2013). Her research interests are in British drama of the nineteenth and twentieth centuries, women's writing, and law and literature.

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