1998 marks is the 35th anniversary of "A Wrinkle in Time" by Madeleine L'Engle. To celebrate, Bantam Doubleday Dell is publishing two wonderful new editions of L'Engle's Time Quartet, including "A Wrinkle in Time; A Wind in The Door; A Swiftly Tilting Planet;" and "Many Waters." In both the new digest and the mass market editions, each title includes a new introduction by the author. Covers of the digest editions are illustrated by Caldecott Honor illustrator Peter Sys, and the mass market edition covers are illustrated by renowned science fiction and fantasy illustrator Cliff Nielsen.
Hope Davis narrates this engaging new audio production of L'Engle's classic novel. When the troubled and underachieving Meg Murry's physicist father goes missing, Meg-along with her younger brother, Charles, and friend Calvin-warps across the universe in an attempt to find him. The trio is aided by three angels, Mrs Whatsit, Mrs Who, and Mrs Which, who use Dr. Murray's mysterious tesseract project to whisk the children through space and time. Davis delivers pitch-perfect narration that captures the spirit of the author's prose. She also creates distinct voices for the book's many characters, most notably the petulant Meg and enthusiastic Calvin. Listeners are in for a real treat-and longtime L'Engle fans will delight in Davis's outstanding performance, which breathes new life into this acclaimed fantasy title. Ages 10-up. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved.
Gr 5 Up-Generations of readers have treasured this science-fiction classic, so comparisons with the original are inevitable. Larson has remained true to the story, preserving the original chapter format and retaining L'Engle's voice. Black-and-white artwork is accented with blue, echoing the original cover color. Blue shading distinguishes flashbacks. Images of Meg's bruised, expressive face and slouched body shift the focus of the story slightly, making this truly her story, told from her perspective. She is initially portrayed as an "ugly duckling," and her angst and tender feelings are palpable. Larson does an excellent job of building tension. Look for the arrival of Mrs Which, the meeting with IT, and the awe-inspiring approach to Uriel. Imagery of transitions is especially effective. Mrs Whatis's metamorphosis and the dawning of morning after darkness are memorable. Striking black backgrounds with fragmented blue and white outlines perfectly capture tessering sequences. Charles Wallace's demeanor and personality variations are worth noting. Larson's crowning achievement, though, is the noticeable change in Meg's appearance after her encounter with Aunt Beast. Her face and posture portray her maturation and her willingness to not "be afraid to be afraid." However, the expansiveness of travel through time and space seems at odds with the book's trim size. Pages feel somewhat crowded, due to the numerous small panels and relatively dense text. "Playing with time and space is a dangerous game" applies to adapting a literary classic. While some may quibble with specific discrepancies from the original, this book serves as an excellent introduction and companion to a classic children's story.-Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.