Table of Contents

ZelPart 1. The Gift
Switzerland, mid-1500's

Part 2. Rejection

Part 3. Lonely

Part 4. Obsessed

Part 5. The Kiss

Part 6. Love

Part 7. Scattering

Part 8. Gathering

About the Author

Donna Jo Napoliis the author ofCrazy Jack,The Magic Circle,Stones in Water, and many other books. She is the chairperson of the linguistics department at Swarthmore College.

Reviews

As she has done for The Frog Prince and Hansel and Gretel, Napoli here visits her magic upon the tale of Rapunzel, creating a work of depth and beauty. In mid-16th-century Switzerland, Zel, on the threshold of adolescence, accompanies her mother on a rare trip from their remote cottage to the village. By chance she meets a youth named Konrad; unknown to her, he is the son of the count, and he is charmed by her apparent simplicity and forthright manner. Napoli gently guides the reader through the inevitable consequences of this meeting, mining every movement in the fairy tale for its psychological treasures. Zel's mother, no longer a routine villainess, has sacrificed everything, even her soul, for the witchcraft that enables her to have a daughter; a desperate fear of Konrad's attentions drives her to imprison Zel in the famous tower. Isolated, Zel wavers between recognition of her mother's sacrifices and her own fury, and wanders into madness. Konrad, meanwhile, must discover the difference between love and obsession. Napoli imagines the precise quality of the mother's supernatural powers, the colors of the stones in Zel's tower, the rustle of the trees in the forest. But the genius of the novel lies not just in the details but in its breadth of vision. Its shiveringly romantic conclusion will leave readers spellbound. Ages 11-up. (Sept.)

Gr 9 Up‘This retelling of the story of Rapunzel is no simple fairy tale retold for the entertainment of children. Instead, it is a searing commentary on the evil that can result from human longings gone awry. Napoli sets the novel in 16th-century Switzerland and alternates the various characters' points of view. Zel and Count Konrad's narratives are presented in the third person, while Mother tells her own story. All are told in the present tense. Readers learn that the barren mother's obsession for a child drove her to give herself up to eternal damnation in order to have a daughter. Now, she seeks to keep the child away from the world so that the innocent girl will choose her mother above all others. That this will mean Zel's damnation also does not deter Mother in the least. When the inevitable happens and Zel meets the young man, Mother locks her away in a tower. Unlike most versions, this story realistically portrays the dismal effects of isolation on the girl's mind and spirit. She goes quite mad but is still able to accept Konrad's love when he finds her at last. Konrad's transformation from arrogant noble to a man with an obsessive love for a girl he barely knows is less realistic but follows the traditional story line. In his final confrontation with Mother, evil appears to have triumphed. Even the eventual "happily ever after" ending cannot clear the air of the darkness that pervades this tale. Mother's fatal possessiveness and the horror of Zel's life in the tower are the dominant themes that readers will remember. This version, with its Faustian overtones, will challenge readers to think about this old story on a deeper level. It begs for discussion in literature classes.‘Bruce Anne Shook, Mendenhall Middle School, Greensboro, NC