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Alligator
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Album: Alligator
# Song Title   Time
1)    Secret Meeting More Info... 0:03
2)    Karen More Info... 0:04
3)    Lit Up More Info... 0:03
4)    Looking for Astronauts More Info... 0:03
5)    Daughters of the Soho Riots More Info... 0:04
6)    Baby, We'll Be Fine More Info... 0:03
7)    Friend of Mine More Info... 0:03
8)    Val Jester More Info... 0:03
9)    All the Wine More Info... 0:03
10)    Abel More Info... 0:03
11)    The Geese of Beverly Road More Info... 0:05
12)    City Middle More Info... 0:04
13)    Mr. November More Info... 0:04
 
Album: Alligator
# Song Title   Time
1)    Secret Meeting More Info... 0:03
2)    Karen More Info... 0:04
3)    Lit Up More Info... 0:03
4)    Looking for Astronauts More Info... 0:03
5)    Daughters of the Soho Riots More Info... 0:04
6)    Baby, We'll Be Fine More Info... 0:03
7)    Friend of Mine More Info... 0:03
8)    Val Jester More Info... 0:03
9)    All the Wine More Info... 0:03
10)    Abel More Info... 0:03
11)    The Geese of Beverly Road More Info... 0:05
12)    City Middle More Info... 0:04
13)    Mr. November More Info... 0:04
 
Product Description
Product Details
Performer Notes
  • The National: Matthew Berninger (vocals); Scott Devendorf (guitar, bass guitar); Bryce Dessner (guitar); Aaron Dessner (guitars, bass guitar); Bryan Devendorf (drums).
  • The National's debut for Beggars Banquet Records boasts eloquent production and some of frontman Matt Berninger's finest songs. The Brooklyn band's sound includes elements of folk and swirling indie rock, with Berninger's literate, emotive tunes drawing heavily on the tradition of melancholic singer/songwriters. On "Daughters of the Soho Riots," Berninger's baritone croon recalls Gordon Lightfoot, yet his lyrics are incisive, confessional, and decidedly contemporary. The combination of surreal imagery and genuine pathos in "Baby, We'll Be Fine" (expressed in the song's repeated refrain) is also representative of Berninger's craft.
  • Two pairs of brothers--Aaron and Bryce Dessner (guitars) and Scott and Bryan Devendorf (bass and drums, respectively)--keep things alternately chiming, churning, and appropriately atmospheric. The startling relationship sketch "Karen," for example, rides a light rock pulse dominated by piano and augmented by strings, making it one of the album's shining moments. "All the Wine" turns Berninger's usually dark self-exploration on its head with its semi-ironic self-aggrandizement. ALLIGATOR's 13 tracks testify to the National's standing as one of the more distinctive and absorbing bands around.
Professional Reviews
Uncut (p.94) - 5 stars out of 5 - "[B]uried in the richness of their music, there's a spare elegance unheard since The Triffids....They feed an energy more residual than that of The Rapture or The Strokes."

Magnet (p.53) - Ranked #10 in Magnet's "The 20 Best Albums Of 2005" - "Once inside, you're privy to literate songs about conflicted men, unhinged minds and worried heroes."

Mojo (Publisher) (p.108) - 4 stars out of 5 - "[The album] walks the same Cold War-era Bowery streets as Interpol but is not more than a half step away from lysergic brilliance."
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