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Bastards
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Album: Bastards
# Song Title   Time
1)    On Your Feet or on Your Knees More Info...
2)    Burner More Info...
3)    Death or Glory More Info...
4)    I Am the Sword More Info...
5)    Born to Raise Hell More Info...
6)    Don't Let Daddy Kiss Me More Info...
7)    Bad Woman More Info...
8)    Liar More Info...
9)    Lost in the Ozone More Info...
10)    I'm Your Man More Info...
11)    We Bring the Shake More Info...
12)    Devils More Info...
 

Album: Bastards
# Song Title   Time
1)    On Your Feet or on Your Knees More Info...
2)    Burner More Info...
3)    Death or Glory More Info...
4)    I Am the Sword More Info...
5)    Born to Raise Hell More Info...
6)    Don't Let Daddy Kiss Me More Info...
7)    Bad Woman More Info...
8)    Liar More Info...
9)    Lost in the Ozone More Info...
10)    I'm Your Man More Info...
11)    We Bring the Shake More Info...
12)    Devils More Info...
 
Product Description
Product Details
Performer Notes
  • Motorhead: Lemmy The Arrogant Bastard (vocals, acoustic guitar, bass); The Welsh Bastard: Zoom (acoustic guitar, guitar); Wurzel The Bastard (guitar); Mikkey Bastard Dee (drums).
  • Additional personnel: Howard (keyboards).
  • Recorded at A&M Studios, Hollywood, California.
  • Personnel: Lemmy Kilmister (vocals, acoustic guitar, bass guitar); Zoom (guitar, acoustic guitar); Wrzel (guitar); Howard Benson (keyboards); Mickey Dee (drums).
  • Audio Mixers: Howard Benson; Ryan Dorn.
  • Recording information: A&M Studios, Hollywood, CA; Prime Time Studios, North Hollywood, CA.
  • After doing the unthinkable (selling out!) on their commercially minded -- and only -- major-label release March or Die, underground heroes Mot”rhead thankfully returned to a more familiar sonic formula (extremely loud and fast) on the excellent Bastards. Gloriously distorted thrashers such as "On Your Feet or on Your Knees" and "Death or Glory" set the pace, and "Born to Raise Hell" is undoubtedly one of the band's greatest latter-day classics. As usual, major departures such as the acoustic-driven and socially conscious "Don't Let Daddy Kiss Me" stick out like a sore thumb, but the more balanced "Lost in the Ozone" (some acoustic, but also lots of noise) is a pleasant surprise. Though it is often overlooked, this album remains one of the band's strongest releases in the '90s. ~ Eduardo Rivadavia
Professional Reviews
Entertainment Weekly (10/29/93, p.64) - "...[Motorhead] once again demonstrate why punks and metalheads alike bow down before them..." - Rating: A-
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