| Album: Best Guitar 100 / Previn, Rattle, Bat¡s, Parkening, Breame, Isbin, Segovia, et al | ||||
|---|---|---|---|---|
| # | Song Title | Time | ||
| 1) | Partita for lute in E major, BWV 1006a (BC L171): Gavotte en rondeau | |||
| 2) | Work(s): Allemande | |||
| 3) | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): Prelude | |||
| 4) | Partita for solo violin No. 2 in D minor, BWV 1004: Gigue | |||
| 5) | Gigues, for guitar (unspecified) | |||
| 6) | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesu, Joy of Man's Desiring | |||
| 7) | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93: 2. Largo | |||
| 8) | Suite for guitar No. 11 in B minor (Livre de PiŠces pour la Guittarre, 1686) | |||
| 9) | O mia cieca e dura sorte | |||
| 10) | Sonata for keyboard in E major, K. 380 (L. 23) "CortŠge" | |||
| 11) | The Countess of Pembroke's Paradise | |||
| 12) | Heigh Ho Holiday | |||
| 13) | Diferencias (7) for guitar on "Gu rdame las vacas" | |||
| 14) | Pieces for lute in G major: Pieces in G | |||
| 15) | Terpsichore Dances: Suite in D: 1. Courante - 2. Ballet - 7. Volte | |||
| 16) | Concerto for harpsichord, strings & continuo No. 2 in E major, BWV 1053: 1. Allegro | |||
| 17) | Suite for lute in F sharp minor (Book 2): La Belle Iris (Allemande) - Le Mouton (Canarie) | |||
| 18) | Carillon de village | |||
| 19) | Sonata for keyboard in A major, K. 322 (L. 483) | |||
| 20) | Fantasia for lute in E minor | |||
| 21) | Mandolin Concerto, for mandolin, strings & continuo in C major, RV 425: 3. Allegro | |||
| 1) | Suite espa¤ola, for guitar (arr. by N. Yepes): La Mi¤ona de Catalu¤a | |||
| 2) | Introduction, Theme & Variations on a theme from Mozart's "The Magic Flute," for guitar, Op. 9 | |||
| 3) | Grand Solo for guitar, Op. 14 | |||
| 4) | Suite espa¤ola No. 1, for piano, Op. 47, B. 7: 1. Granada | |||
| 5) | Suite espa¤ola No. 1, for piano, Op. 47, B. 7: 3. Sevilla | |||
| 6) | Capricho rabe, for guitar | |||
| 7) | Prelude for guitar No. 8 in A minor "L grima" | |||
| 8) | Maria, gavotte for guitar | |||
| 9) | Mazurka for guitar in G major | |||
| 10) | Recuerdos de la Alhambra, for guitar | |||
| 11) | Recuerdos de viaje, pieces (7) for piano, Op. 71, B. 18: 1. En el mar (Barcarola) | |||
| 12) | Recuerdos de viaje, pieces (7) for piano, Op. 71, B. 18: 2. Asturias (Leyenda) | |||
| 13) | Recuerdos de viaje, pieces (7) for piano, Op. 71, B. 18: 5. Puerta di Tierre (Bolero) | |||
| 14) | Recuerdos de viaje, pieces (7) for piano, Op. 71, B. 18: 6. Rumores de la Caleta (Malague¤a) | |||
| 15) | Serenata espa¤ola for piano in F major | |||
| 16) | Canࢠdel Lladre, for guitar (from Canciones populares catalanas) | |||
| 1) | Jeux Interdits ("Spanish Romance"), for guitar | |||
| 2) | El Sombrero de tres picos, ballet in 2 parts, G. 53: Night - The Miller's Dance | |||
| 3) | El Sombrero de tres picos, ballet in 2 parts, G. 53: The Corregidor - Dance of the Miller's Wife | |||
| 4) | Sonata a la espa¤ola, for guitar | |||
| 5) | La maja de Goya, song for soprano & piano (Tonadillas al estilo antiguo, No. 8), H. 136/8 | |||
| 6) | Andaluza (Playera), for guitar or other instrument (arrangement of No. 5 of 12 Spanish Dances) | |||
| 7) | Homenaje a T rrega, for guitar, Op. 69 | |||
| 8) | Valses po‚ticos (7), for piano, H. 147, DLR 7:8: Introduction - Valse 1 - Valse 6 - Coda | |||
| 9) | Homenaje pour "Le tombeau de Claude Debussy," for guitar, G. 56 | |||
| 10) | Invocaci¢n y danza, for guitar ("Homenaje a Manuel de Falla") | |||
| 11) | Piezas (3) espa¤olas, for guitar: 1. Fandango (Allegretto) | |||
| 12) | Piezas (3) espa¤olas, for guitar: 2. Passacaglia (Andante) | |||
| 13) | Piezas (3) espa¤olas, for guitar: 3. Zapateado (Allegro) | |||
| 1) | Aconquija, for guitar (Suite Andina No. 2) | |||
| 2) | Las Abejas (The Bees) for guitar | |||
| 3) | Prel£dio, for guitar No. 1 in E minor, A. 419/1 | |||
| 4) | Estudio, for guitar No. 1 in E minor, A. 235/1 | |||
| 5) | Cueca, for guitar (Suite Andina No. 5) | |||
| 6) | La Catedral (The Cathedral), for guitar | |||
| 7) | Tristes (5), for piano: Triste No. 4 | |||
| 8) | Waltz for guitar in D major, Op. 8/4 | |||
| 9) | Mazurka Appassionata, for guitar | |||
| 10) | Prel£dio, for guitar No. 1 in E minor, A. 419/1 | |||
| 11) | Prel£dio, for guitar No. 3 in A minor, A. 419/3 | |||
| 12) | Prel£dio, for guitar No. 5 in D major, A. 419/5 | |||
| 13) | Canciones (3) Populares Mexicanas, for guitar | |||
| 14) | Estrellita, for guitar | |||
| 15) | La Muerte del ngel, tango (from Angel series) | |||
| 16) | Suite Venezolana, for guitar: Danza negra | |||
| 17) | Suite Venezolana, for guitar: Valse | |||
| 18) | Natalia, for guitar | |||
| 1) | Guitar Concerto, for guitar & chamber orchestra, Op. 67: 1. Allegro | |||
| 2) | Homenaje, for guitar "Homenaje a la guitarra" | |||
| 3) | Penny Lane | |||
| 4) | Guitar Concerto ("For Two Christophers"): 3. Celebration | |||
| 5) | Yesterday | |||
| 6) | Bookends | |||
| 7) | From Yesterday to Penny Lane: Eleanor Rigby | |||
| 8) | K”ln Concerto, for piano & orchestra: Part 2c. | |||
| 9) | Ojos Brujos, for guitar | |||
| 10) | Guajira criolla, for guitar | |||
| 11) | Etude for guitar ("Estudio Sin Luz") | |||
| 12) | Madro¤os for guitar | |||
| 13) | Guitar Sonata: 3. B rbaro | |||
| 14) | Sonatina for guitar & orchestra: 1. Allegretto | |||
| 15) | Gymnopedie for piano No. 1 | |||
| 16) | Nocturnal after John Dowland, for guitar, Op. 70: March-like | |||
| 17) | Bagatelles (5) for guitar: Sempre espressivo | |||
| 18) | Suite compostelana, for guitar: Cancion | |||
| 19) | Tarantella, Op. 87b | |||
| Album: Best Guitar 100 / Previn, Rattle, Bat¡s, Parkening, Breame, Isbin, Segovia, et al | ||||
|---|---|---|---|---|
| # | Song Title | Time | ||
| 1) | Partita for lute in E major, BWV 1006a (BC L171): Gavotte en rondeau | |||
| 2) | Work(s): Allemande | |||
| 3) | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): Prelude | |||
| 4) | Partita for solo violin No. 2 in D minor, BWV 1004: Gigue | |||
| 5) | Gigues, for guitar (unspecified) | |||
| 6) | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesu, Joy of Man's Desiring | |||
| 7) | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93: 2. Largo | |||
| 8) | Suite for guitar No. 11 in B minor (Livre de PiŠces pour la Guittarre, 1686) | |||
| 9) | O mia cieca e dura sorte | |||
| 10) | Sonata for keyboard in E major, K. 380 (L. 23) "CortŠge" | |||
| 11) | The Countess of Pembroke's Paradise | |||
| 12) | Heigh Ho Holiday | |||
| 13) | Diferencias (7) for guitar on "Gu rdame las vacas" | |||
| 14) | Pieces for lute in G major: Pieces in G | |||
| 15) | Terpsichore Dances: Suite in D: 1. Courante - 2. Ballet - 7. Volte | |||
| 16) | Concerto for harpsichord, strings & continuo No. 2 in E major, BWV 1053: 1. Allegro | |||
| 17) | Suite for lute in F sharp minor (Book 2): La Belle Iris (Allemande) - Le Mouton (Canarie) | |||
| 18) | Carillon de village | |||
| 19) | Sonata for keyboard in A major, K. 322 (L. 483) | |||
| 20) | Fantasia for lute in E minor | |||
| 21) | Mandolin Concerto, for mandolin, strings & continuo in C major, RV 425: 3. Allegro | |||
| 1) | Suite espa¤ola, for guitar (arr. by N. Yepes): La Mi¤ona de Catalu¤a | |||
| 2) | Introduction, Theme & Variations on a theme from Mozart's "The Magic Flute," for guitar, Op. 9 | |||
| 3) | Grand Solo for guitar, Op. 14 | |||
| 4) | Suite espa¤ola No. 1, for piano, Op. 47, B. 7: 1. Granada | |||
| 5) | Suite espa¤ola No. 1, for piano, Op. 47, B. 7: 3. Sevilla | |||
| 6) | Capricho rabe, for guitar | |||
| 7) | Prelude for guitar No. 8 in A minor "L grima" | |||
| 8) | Maria, gavotte for guitar | |||
| 9) | Mazurka for guitar in G major | |||
| 10) | Recuerdos de la Alhambra, for guitar | |||
| 11) | Recuerdos de viaje, pieces (7) for piano, Op. 71, B. 18: 1. En el mar (Barcarola) | |||
| 12) | Recuerdos de viaje, pieces (7) for piano, Op. 71, B. 18: 2. Asturias (Leyenda) | |||
| 13) | Recuerdos de viaje, pieces (7) for piano, Op. 71, B. 18: 5. Puerta di Tierre (Bolero) | |||
| 14) | Recuerdos de viaje, pieces (7) for piano, Op. 71, B. 18: 6. Rumores de la Caleta (Malague¤a) | |||
| 15) | Serenata espa¤ola for piano in F major | |||
| 16) | Canࢠdel Lladre, for guitar (from Canciones populares catalanas) | |||
| 1) | Jeux Interdits ("Spanish Romance"), for guitar | |||
| 2) | El Sombrero de tres picos, ballet in 2 parts, G. 53: Night - The Miller's Dance | |||
| 3) | El Sombrero de tres picos, ballet in 2 parts, G. 53: The Corregidor - Dance of the Miller's Wife | |||
| 4) | Sonata a la espa¤ola, for guitar | |||
| 5) | La maja de Goya, song for soprano & piano (Tonadillas al estilo antiguo, No. 8), H. 136/8 | |||
| 6) | Andaluza (Playera), for guitar or other instrument (arrangement of No. 5 of 12 Spanish Dances) | |||
| 7) | Homenaje a T rrega, for guitar, Op. 69 | |||
| 8) | Valses po‚ticos (7), for piano, H. 147, DLR 7:8: Introduction - Valse 1 - Valse 6 - Coda | |||
| 9) | Homenaje pour "Le tombeau de Claude Debussy," for guitar, G. 56 | |||
| 10) | Invocaci¢n y danza, for guitar ("Homenaje a Manuel de Falla") | |||
| 11) | Piezas (3) espa¤olas, for guitar: 1. Fandango (Allegretto) | |||
| 12) | Piezas (3) espa¤olas, for guitar: 2. Passacaglia (Andante) | |||
| 13) | Piezas (3) espa¤olas, for guitar: 3. Zapateado (Allegro) | |||
| 1) | Aconquija, for guitar (Suite Andina No. 2) | |||
| 2) | Las Abejas (The Bees) for guitar | |||
| 3) | Prel£dio, for guitar No. 1 in E minor, A. 419/1 | |||
| 4) | Estudio, for guitar No. 1 in E minor, A. 235/1 | |||
| 5) | Cueca, for guitar (Suite Andina No. 5) | |||
| 6) | La Catedral (The Cathedral), for guitar | |||
| 7) | Tristes (5), for piano: Triste No. 4 | |||
| 8) | Waltz for guitar in D major, Op. 8/4 | |||
| 9) | Mazurka Appassionata, for guitar | |||
| 10) | Prel£dio, for guitar No. 1 in E minor, A. 419/1 | |||
| 11) | Prel£dio, for guitar No. 3 in A minor, A. 419/3 | |||
| 12) | Prel£dio, for guitar No. 5 in D major, A. 419/5 | |||
| 13) | Canciones (3) Populares Mexicanas, for guitar | |||
| 14) | Estrellita, for guitar | |||
| 15) | La Muerte del ngel, tango (from Angel series) | |||
| 16) | Suite Venezolana, for guitar: Danza negra | |||
| 17) | Suite Venezolana, for guitar: Valse | |||
| 18) | Natalia, for guitar | |||
| 1) | Guitar Concerto, for guitar & chamber orchestra, Op. 67: 1. Allegro | |||
| 2) | Homenaje, for guitar "Homenaje a la guitarra" | |||
| 3) | Penny Lane | |||
| 4) | Guitar Concerto ("For Two Christophers"): 3. Celebration | |||
| 5) | Yesterday | |||
| 6) | Bookends | |||
| 7) | From Yesterday to Penny Lane: Eleanor Rigby | |||
| 8) | K”ln Concerto, for piano & orchestra: Part 2c. | |||
| 9) | Ojos Brujos, for guitar | |||
| 10) | Guajira criolla, for guitar | |||
| 11) | Etude for guitar ("Estudio Sin Luz") | |||
| 12) | Madro¤os for guitar | |||
| 13) | Guitar Sonata: 3. B rbaro | |||
| 14) | Sonatina for guitar & orchestra: 1. Allegretto | |||
| 15) | Gymnopedie for piano No. 1 | |||
| 16) | Nocturnal after John Dowland, for guitar, Op. 70: March-like | |||
| 17) | Bagatelles (5) for guitar: Sempre espressivo | |||
| 18) | Suite compostelana, for guitar: Cancion | |||
| 19) | Tarantella, Op. 87b | |||
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