Name: Blue Wail
Brand: Unbranded
SKU: 115709
Price: 16.88 USD
Availability: InStock

Blue Wail

Rating

Album: Blue Wail
#	Song Title		Time
1)	Honeysuckle Rose	More Info...	0:04
2)	Loose Trade	More Info...	0:05
3)	The Face Of Space	More Info...	0:06
4)	Digature Of The Line	More Info...	0:05
5)	Blue Wail	More Info...	0:08
6)	Stain	More Info...	0:06
7)	Sweet Potato	More Info...	0:09
8)	Bones Don't Cry	More Info...	0:05
9)	Poem For Shulamit	More Info...	0:04
10)	Fireball	More Info...	0:03
11)	Honeysuckle Rose	More Info...	0:04

Album: Blue Wail
#	Song Title		Time
1)	Honeysuckle Rose	More Info...	0:04
2)	Loose Trade	More Info...	0:05
3)	The Face Of Space	More Info...	0:06
4)	Digature Of The Line	More Info...	0:05
5)	Blue Wail	More Info...	0:08
6)	Stain	More Info...	0:06
7)	Sweet Potato	More Info...	0:09
8)	Bones Don't Cry	More Info...	0:05
9)	Poem For Shulamit	More Info...	0:04
10)	Fireball	More Info...	0:03
11)	Honeysuckle Rose	More Info...	0:04

Tracks

Performer Notes

Uri Caine Trio: Uri Cine (piano); James Genus (bass); Ralph Peterson, Jr. (drums).
Recorded at Bauer Studios, Ludwigsburg, Germany on February 9, 1998.
Personnel: Uri Caine (piano); Ralph Peterson (drums).
Audio Mixer: Joe Ferla.
Recording information: Avatar Studios, New York, NY (12/01/1997-12/02/1997).
Uri Caine is known for his work with Dave Douglas and also for his renegade reinterpretations of Bach, Wagner, and Mahler as well as the Tin Pan Alley songwriters. But here the fiery pianist lets loose in a trio setting, with the deadliest of rhythm sections: bassist James Genus and drummer Ralph Peterson, Jr. Whether playing fast ("Loose Trade," "Digature of the Line," "Stain," "Fireball," "Bones Don't Cry"), medium ("Sweet Potato"), or slow ("Blue Wail"), Caine and company imbue every tune with an extraordinary blues feeling and a fat swing groove. But this is not just another straight-ahead piano trio outing. Caine gives the form a shot in the arm with these sophisticated compositions, all of which contain a bevy of surprises. Blue Wail is on the whole an aggressive, burning album, although Caine mellows a bit with "The Face of Space," an ingenious hall of metric mirrors, and "Poem for Shulamit," a rubato piece that evokes a magnificent stillness. Fats Waller's "Honeysuckle Rose," the one non-original of the set, appears as both the first and the last track, with Caine taking the tune apart in a solo setting. It's an inspired move: Why not frame a batch of modernist creations with a statement drawn from jazz piano's earliest days? ~ David R. Adler