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Blues At Sunrise
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Album: Blues At Sunrise
# Song Title   Time
1)    Don't Burn Down The Bridge ('Cause You Might Wanna Come Back Across) Live More Info... 4:30
2)    I Believe To My Soul Live More Info... 4:57
3)    For The Love Of A Woman Live More Info... 3:48
4)    Blues At Sunrise Live More Info... 10:20
5)    I'll Play The Blues For You Album Version More Info... 6:36
6)    Little Brother (Make A Way) Live More Info... 5:45
7)    Roadhouse Blues Live More Info... 10:07
 
Album: Blues At Sunrise
# Song Title   Time
1)    Don't Burn Down The Bridge ('Cause You Might Wanna Come Back Across) Live More Info... 4:30
2)    I Believe To My Soul Live More Info... 4:57
3)    For The Love Of A Woman Live More Info... 3:48
4)    Blues At Sunrise Live More Info... 10:20
5)    I'll Play The Blues For You Album Version More Info... 6:36
6)    Little Brother (Make A Way) Live More Info... 5:45
7)    Roadhouse Blues Live More Info... 10:07
 
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Performer Notes
  • Personnel: Albert King (vocals, guitar); Don Kinsey (guitar); Rick Watson (tenor saxophone); Norville Hodges, Wilbur Tompson (trumpet); James Washington (organ); Bill Rennie (bass); Sam King (drums).
  • Recorded live at the Montreux Jazz Festival, Switzerland on July 1, 1973. Includes liner notes by Lee Hildebrand.
  • Personnel: Albert King (vocals, guitar).
  • Unknown Contributor Roles: Bill Rennie; Donald Kinsey; James Washington; Norval D. Hodges; Wilbur Thompson; Rick Watson; Sam King.
  • Albert King's affiliation with Stax Records was an auspicious one. Though King worked in a traditional blues metier, the groovy R&B sound of the label influenced his recordings (the backing band on his original Stax sessions was none other than Booker T. and the M.G.'s). The result--a smooth, organ-flavored soul take on King's deep-fried electric blues--was a hit with soul, rock, and blues fans alike. That recipe is heard to perfect effect on this live set, recorded at the Montreux Jazz festival in 1973.
  • The driving opener, "Don't Burn Down the Bridge ('Cause You Might Wanna Come Back Across"), gives the listener notice of what's to come, King's blues-drenched vocals and blistering leads supported by a fine backing band (including a tenor sax player and two trumpets). The musicians do not disappoint the festival crowd; takes on Ray Charles's "I Believe to My Soul" and Don Nix's funky "For the Love of a Woman" alternate with King originals "Roadhouse Blues" and the wrenching "Blues at Sunrise." Naturally, King's playing is in the forefront throughout, and that is a great thing indeed.
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