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Bohemia
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Album: Bohemia
# Song Title   Time
1)    Bohemia
2)    Shape of Love
3)    Fall With You
4)    Because of Love
5)    Arrow
6)    Pieces of Clay
7)    Coat of Shame
8)    Western Front
9)    Wish, The
10)    Ophelia
11)    Full Circle
 

Album: Bohemia
# Song Title   Time
1)    Bohemia
2)    Shape of Love
3)    Fall With You
4)    Because of Love
5)    Arrow
6)    Pieces of Clay
7)    Coat of Shame
8)    Western Front
9)    Wish, The
10)    Ophelia
11)    Full Circle
 
Product Description
Product Details
Performer Notes
  • Personnel: Mae Moore (vocals, acoustic & electric guitars, bass), Steve Kilbey (various instruments); Stephan Nikleva (electric guitar), Peter Koppes, G.W. McLennan (guitar); Boris Gordonof (trumpet, Fender Rhodes), David Kershaw (piano, Hammond organ, background vocals), Brian Minato (fretless bass), Ash Good (drums, percussion, background vocals), Gord Downie (background vocals).
  • Recorded at Cummulative Buzz, Surrey Hills, New South Wales, Australia in Fall 1992.
  • Moore finds herself with a fine supporting crew on Bohemia, first and foremost thanks to the production and co-writing help of Steve Kilbey from the Church. Bandmate Peter Koppes adds guitar to one song, while Kilbey's Jack Frost partner, Grant McLennan, contributes throughout; meanwhile, Moore's fellow Canadian, Gordon Downie, shares vocals with her on the excellent "The Wish." All the appearances wouldn't mean much if Moore's own abilities weren't up to snuff, but Bohemia is an enjoyable, coolly fascinating album worthy of its own reputation rather than any Church or Go-Betweens family-tree ties or the like. Whether it's the low-key rap on the verses of the title track or on the break of "Because of Love" or her wonderful backing vocal overdubs on the brilliant "Shape of Love," Moore readily stands on her own two feet. The blend of Moore and Kilbey's guitar work throughout is particularly lovely; the two have a definite rapport, and the sound is lush without ever being overwhelming, supporting Moore's wistfully cool-but-not-cold singing to a tee. Certainly compared to the almost willfully straightforward (and blas‚) rash of female folk-influenced performers in the '90s, Moore shines and sparkles with life, the songs providing gentle rock and funk energy without obviously reaching for it. Lynn Canfield in the Moon Seven Times might be the best comparison -- there's the same vocal richness and passion, with more of an acoustic rather than electric bent. Kilbey's ear for production suits all the performances beautifully well; he's not trying for a Church redux sound, instead finding a new synthesis. Considering the focused chime of the guitars buried in the mix on "Fall With You" -- both the lead melody and the darker electric shades -- or the drowned, watery melancholy of "Ophelia," Moore's singing is the evocative center of a haunting wonder. ~ Ned Raggett
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