Name: Britney (Import Bonus Tracks)
SKU: 1190473
Price: 8.3 USD
Availability: InStock
Rating: 4.5 (2 reviews)

Britney (Import Bonus Tracks)

Rating

Album: Britney (Import Bonus Tracks)
#	Song Title		Time
1)	I'm a Slave 4 U	More Info...	0:03
2)	Overprotected	More Info...	0:03
3)	Lonely	More Info...	0:03
4)	I'm Not a Girl, Not Yet a Woman	More Info...	0:04
5)	Boys	More Info...	0:03
6)	Anticipating	More Info...	0:03
7)	I Love Rock 'N' Roll	More Info...	0:03
8)	Cinderella	More Info...	0:03
9)	Let Me Be	More Info...	0:03
10)	Bombastic Love	More Info...	0:03
11)	That's Where You Take Me	More Info...	0:03
12)	When I Found You	More Info...	0:03
13)	I Run Away	More Info...	0:04
14)	What It's Like to Be Me	More Info...	0:03
15)	Before the Goodbye	More Info...	0:04
16)	Overprotected	More Info...	0:03

Album: Britney (Import Bonus Tracks)
#	Song Title		Time
1)	I'm a Slave 4 U	More Info...	0:03
2)	Overprotected	More Info...	0:03
3)	Lonely	More Info...	0:03
4)	I'm Not a Girl, Not Yet a Woman	More Info...	0:04
5)	Boys	More Info...	0:03
6)	Anticipating	More Info...	0:03
7)	I Love Rock 'N' Roll	More Info...	0:03
8)	Cinderella	More Info...	0:03
9)	Let Me Be	More Info...	0:03
10)	Bombastic Love	More Info...	0:03
11)	That's Where You Take Me	More Info...	0:03
12)	When I Found You	More Info...	0:03
13)	I Run Away	More Info...	0:04
14)	What It's Like to Be Me	More Info...	0:03
15)	Before the Goodbye	More Info...	0:04
16)	Overprotected	More Info...	0:03

Performer Notes

This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Includes a Quicktime video for the song "Overprotected" with outtakes from Britney's first major motion picture relase.
Personnel includes: Britney Spears (vocals); Brian Kierulf (various instruments); Max Martin (guitar, background vocals); Esbjorn Ohrwall, Nile Rogers, Isaac Phillips, Paul Umbach (guitar); Josh Schwartz, Thomas Lindberg (bass); Rodney Jenkins (programming); Corey Chase (scratches); Daniel Savio (turntables); Jennifer Karr, Jeanette Olsson, BossLady, Ann Marie Bush, Sue Ann Carwell, Tyler Collins, Deann Dover, Albert D. Hall, Damien Hall, Nana Hedin, Annika Tornkvist (background vocals).
The Neptunes: Pharrell Williams, Chad Hugo (various instruments).
Producers include: Wade J. Robson, Justin Timberlake, Brian Kierulf, Josh Schwartz, Max Martin.
Engineers include: Max Martin, Rami, Jamie Duncan.
BRITNEY was nominated for the 2003 Grammy Awards for Best Pop Vocal Album. "Overprotected" was nominated for the 2003 Grammy Awards for Best Female Pop Vocal Performance.
Argentine import version with three bonus tracks: "When I Found You," "I Run Away," and "Before the Goodbye."
Well, the question is no longer whether she's a little girl or a woman--Britney Spears has obviously been the latter for some time. The question now is how long she'll be able to pretend at keeping us guessing, and how long we'll pretend not to know the answer. With BRITNEY she continues the dance of corrupted youth and innocence to the delight of both her female fans and dirty old and young men everywhere.
While it's by no means the best song on the album, the ballad "I'm Not a Girl, Not Yet a Woman" typifies her commercial appeal (interestingly, though she writes several songs here, this one was written for her). The songs that ring truest here are those penned by Spears herself, such as the Chic-influenced "Anticipating" and the R&B flavored "Lonely," which play down the innocent girl/tart predicament in favor of presumably more realistic scenarios such as checking out her lipstick in the former and relationship dilemmas in the latter. Elsewhere she convincingly reduces Joan Jett's "I Love Rock 'N' Roll" to its bubblegum essentials, while her interpretation of main squeeze Justin Timberlake's "What It's Like to Be Me" is arguably BRITNEY's finest moment.

Professional Reviews

Rolling Stone (11/22/01, pp.86-6) - 3 stars out of 5 - "...By far her most personable album, the most consistently playful and least wince-inducing..."

NME (Magazine) (11/3/01, p.34) - 7 out of 10 - "...BRITNEY pulls off the same trick that Janet Jackson's CONTROL did both musically and lyrically, announcing her womanhood with an explosion of club-dominated pop..."