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Call of the Valley
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Album: Call of the Valley
# Song Title   Time
1)    Ahir Bhairav/Nat Bhairav: Ahir Bhairav
2)    Rag Piloo
3)    Bhoop Ghara
4)    Rag Des
5)    Rag Pahadi
6)    Ghara-Dadra
7)    Dhun-Mishra Kirwani
8)    Bageshwari
 

Album: Call of the Valley
# Song Title   Time
1)    Ahir Bhairav/Nat Bhairav: Ahir Bhairav
2)    Rag Piloo
3)    Bhoop Ghara
4)    Rag Des
5)    Rag Pahadi
6)    Ghara-Dadra
7)    Dhun-Mishra Kirwani
8)    Bageshwari
 
Product Description
Product Details
Performer Notes
  • Personnel: Shivkumar Sharma (dulcimer, santur); Brij Bhushan Kabra (slide guitar); Hariprasad Chaurasia (flute); Shivkumar Sharma; Brij Bhushan Kabra (acoustic guitar); Hariprasad Chaurasia; Manikrao Popatkar (tabla).
  • Liner Note Author: Ken Hunt.
  • Shivkumar Sharma, the guitarist Brijbhushan Kabra, and flutist Hariprasad Chaurasia were all aged about 30 when they made Call of the Valley. Shivkumar Sharma, who had made his first solo album in 1960, was responsible for establishing and popularizing the instrument in Hindustani classical circles. Kabra was also having to prove himself because of the guitar's Western and Indian popular music associations Chaurasia's problem was the wide popularity of the bansuri -- a bamboo transverse flute -- and his need to establish himself with the instrument. In 1967, the concept behind this album was as revolutionary as it was traditional. Conceived as a suite, they used their instruments to tell the story of a day in the life of a shepherd in Kashmir using ragas associated with various times of the day to advance the dramatic narrative. If the newcomer buys only one Indian classical recording, it should be Call of the Valley. ~ Ken Hunt
Professional Reviews
The Wire (2/00, p.34) - "...As success stories go this album is the DARK SIDE OF THE MOON of the Hindustani recording industry..."

Dirty Linen (2-3/96, p.81) - "...The recording itself is a "concept" album, weaving instrumental impressions of a Kashmiri valley from dawn to dusk....The overall mood of the album is pastoral and mediative, while being extremely visual in it its musical images..."

Mojo (Publisher) (7/95, p.121) - "...unfettered magic and one of the most influential Indian classical albums of all time. It is widely tipped as the perfect introduction to the genre."
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