Personnel: Steve Howe (vocals, guitar, background vocals); Chris Squire (vocals, bass instrument, background vocals); Jon Anderson (vocals); Rick Wakeman (keyboards); Bill Bruford (drums, percussion).
Audio Remasterers: Daniel Hersch; Bill Inglot.
Liner Note Authors: Mike Tiano; Mike Tilano.
Photographers: Michael Putland; Pieter Maz‚l; Neal Preston; Roger Dean ; Martin Adelman.
One of the high-water marks of progressive rock (and thus of 1970s rock in general), CLOSE TO THE EDGE found British prog godfathers Yes firing on all cylinders. Throughout their history, they've undergone numerous lineup changes, but this album featured the "classic" formation responsible for their absolute finest achievements. Here Rick Wakeman is at his Moog-goes-Baroque best behind the keyboards, Steve Howe sounds like a blues guitarist from Mars, Chris Squire delivers confoundingly contrapuntal bass lines, and Bill Bruford seemingly solves complex mathematical equations from his drum stool. The lion's share of the album is occupied by the title track, a complex piece that moves through numerous modes and moods. In latter decades, the extended song-suite has been denigrated as indicative of the worst rock pretensions, but, on CLOSE TO THE EDGE, it was a fascinating new concept, and Yes made it work more convincingly than anyone else before or since.
Uncut (1/04, p.122) - 5 stars out of 5 - "CLOSE TO THE EDGE remains an untarnished pinnalce of '70s tech-flash..."
Q (Magazine) (p.120) - "Yes achieved unity here....The title track alone set the template for a strand of brainy rock music that continues through Radiohead's PARANOID ANDROID..."