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Don Caballero 2
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Album: Don Caballero 2
# Song Title   Time
1)    Stupid Puma
2)    Please Tokio, Please This Is Tokio
3)    Dick Suffers Is Furious With You
4)    Cold Knees (In April)
5)    P, P, P, Antless
6)    Repeat Defender
7)    Rollerblade Success Story
8)    No One Gives a Hoot About Faux-Ass Nonsense
 

Album: Don Caballero 2
# Song Title   Time
1)    Stupid Puma
2)    Please Tokio, Please This Is Tokio
3)    Dick Suffers Is Furious With You
4)    Cold Knees (In April)
5)    P, P, P, Antless
6)    Repeat Defender
7)    Rollerblade Success Story
8)    No One Gives a Hoot About Faux-Ass Nonsense
 
Product Description
Product Details
Performer Notes
  • Don Caballero: Ian Williams, Mike Banfield (guitar); Matt Jencik (bass); Damon Che (drums).
  • Recorded at White Room Studios, Detroit, Michigan.
  • The liner notes speak it plain -- "Don Caballero is rock not jazz, Don Caballero is free from solos." But not from complex, ever evolving compositions that never, ever forget to crank up the amps and riff along. The post-rock canard that the group was labeled with somewhere along the line doesn't really make sense, and the math rock label is even more limiting -- too bloodless. If a comparison had to be made or a link established, try Drive Like Jehu, but without vocals. The Williams/Banfield guitar team knows exactly how to play off each other, trading notes, establishing parallel melodies, and hitting full crunch like an evolving beast. Che, meanwhile, sits behind it all and directs everything with equal power and skill. In mainstream terms, the Smashing Pumpkins' Jimmy Chamberlin got the '90s kudos for being a power rock drummer with the skills and fluidity of jazz, but Che is clearly equally skilled, as this album makes perfectly clear. An eight-track release, it splits evenly between shorter and longer pieces, each with amusing titles that established something of an indie rock clich‚ for later bands like Billy Mahonie. Thus, "Repeat Defender" and "Dick Suffers Is Furious With You," or the hilariously named concluding rip, "No One Gives a Hoot about FAUX-ASS Nonsense." The longer numbers are arguably the better -- not that the short ones stink, but over more time the group gets to showcase even more chops and abilities, often with thrilling results. When "Please Tokio, Please This Is Tokio" hits the midsection, everyone sounds incredibly on top of their game, slamming into a sheet-metal intense drone with fire. "Repeat Defender," meanwhile, builds into a gripping middle section, ripping at high speed before only slightly downshifting into something totally mosh pit worthy. Music with a brain that rocks, full stop. ~ Ned Raggett
Professional Reviews
Alternative Press (1/96, pp.76-77) - "...Don Caballero constantly, expertly play off one another, switching leads and erecting tumbling monuments filled with lots of noisy power struggle, and few unwanted noodling solos. There's something to be said for rockin' out for its own sake, and Don Caballero say it loudly."

Option (1-2/96, p.88) - "...mind-boggling rock jams of patterned guitar sparring, walking bass lines, and avalanches of drums and cymbals..."

Musician (3/96, p.90) - "...What we've got here is sheer muscle: fifty megaton art music played with a controlled savagery that rivals LARKS' TONGUES IN ASPIC-era King Crimson. The force is pure hardcore..."
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