Name: Early Recordings
Brand: Dark Peak Productions
SKU: 160041
Price: 10.15 USD
Availability: InStock

Early Recordings

Rating

Album: Early Recordings
#	Song Title		Time
1)	Batman Theme	More Info...	0:02
2)	Ace of Spades	More Info...	0:02
3)	Cross Ties	More Info...	0:01
4)	Jack the Ripper	More Info...	0:02
5)	Hidden Charms	More Info...	0:02
6)	I'm Branded	More Info...	0:02
7)	The Shadow Knows	More Info...	0:02
8)	Fat Back	More Info...	0:02
9)	Run Chicken, Run	More Info...	0:02
10)	Black Widow	More Info...	0:02
11)	Scatter	More Info...	0:02
12)	Turnpike U.S.A.	More Info...	0:02
13)	Mr. Guitar	More Info...	0:02
14)	Rumble	More Info...	0:02

Album: Early Recordings
#	Song Title		Time
1)	Batman Theme	More Info...	0:02
2)	Ace of Spades	More Info...	0:02
3)	Cross Ties	More Info...	0:01
4)	Jack the Ripper	More Info...	0:02
5)	Hidden Charms	More Info...	0:02
6)	I'm Branded	More Info...	0:02
7)	The Shadow Knows	More Info...	0:02
8)	Fat Back	More Info...	0:02
9)	Run Chicken, Run	More Info...	0:02
10)	Black Widow	More Info...	0:02
11)	Scatter	More Info...	0:02
12)	Turnpike U.S.A.	More Info...	0:02
13)	Mr. Guitar	More Info...	0:02
14)	Rumble	More Info...	0:02

Performer Notes

Personnel: Link Wray (vocals, guitar); Vernon Wray, Joey Welz (keyboards); Doug Wray (drums).
Liner Note Author: Ray Topping.
Drawn from the one LP and the dozen or so singles Link Wray recorded for Swan Records between 1963 and 1966, Early Recordings, first released in this configuration by Chiswick Records in 1978, remains the best single-disc introduction to this powerful guitar player, even though, at 32 minutes in length, it falls on the brief side. No matter. It burns like a runaway gas fire, from the ragged, surging "Batman Theme" that opens things clear through to the remake of his signature "Rumble" that closes up the sequence. This is powerful, spooky, and haunting stuff. Wray is said to have invented the power chord and to have traced the template for grunge guitar way back in the mid-'50s, but what he really is, more than anything, is the precedent for players like Jimi Hendrix, a guitarist who wanted to wring every last blast and rattle out of his amp by any means possible. Through his recording career, producers continually operated on the principle that if you could only dress him up and tone him down, Wray would break through to the masses, but like that junkyard dog continually barking at the end of his chain, Wray kept things in the bone-rattling red zone, turning out track after track of raw, primitive energy. These cuts were recorded after Wray's stint with Epic Records, which kept trying to sweeten his sound with horns and strings, and you can feel the sense of desperation, freedom, and joyous release in every second here. The lone vocal track, a cover of Willie Dixon's "Hidden Charms" (by way of Howlin' Wolf), is a slice of sneering garage rock that sounds like metal fingernails on an electric chalk board for two minutes and forty five seconds. Powerful stuff, and absolutely essential. ~ Steve Leggett