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Everything I Do Gonh Be Funky-The Hit Songs
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Album: Everything I Do Gonh Be Funky-The Hit Songs
# Song Title   Time
  Disc 1
1)    I Want You to Know More Info...
2)    Walking With Mr. Lee More Info...
3)    Tic Toc More Info...
4)    Young School Girl More Info...
5)    I'm Gonna Be a Wheel Someday More Info...
6)    Whirlaway More Info...
7)    Happy Times More Info...
8)    Java More Info...
9)    Wham Tousan More Info...
10)    Naomi More Info...
11)    Moo Moo More Info...
12)    Beverly Baby More Info...
13)    Heavenly Baby More Info...
14)    Tiddle Winks More Info...
15)    Whipped Cream More Info...
16)    Pie Crust More Info...
17)    Banana Split More Info...
18)    Fat Cat More Info...
19)    Young Man, Old Man More Info...
20)    Poor Boy Got to Move More Info...
21)    Go Back Home More Info...
22)    Omar Khayyam More Info...
23)    Tomorrow More Info...
24)    Baby Do Liddle More Info...
25)    I Don't Need One More Info...
 

Album: Everything I Do Gonh Be Funky-The Hit Songs
# Song Title   Time
  Disc 1
1)    I Want You to Know More Info...
2)    Walking With Mr. Lee More Info...
3)    Tic Toc More Info...
4)    Young School Girl More Info...
5)    I'm Gonna Be a Wheel Someday More Info...
6)    Whirlaway More Info...
7)    Happy Times More Info...
8)    Java More Info...
9)    Wham Tousan More Info...
10)    Naomi More Info...
11)    Moo Moo More Info...
12)    Beverly Baby More Info...
13)    Heavenly Baby More Info...
14)    Tiddle Winks More Info...
15)    Whipped Cream More Info...
16)    Pie Crust More Info...
17)    Banana Split More Info...
18)    Fat Cat More Info...
19)    Young Man, Old Man More Info...
20)    Poor Boy Got to Move More Info...
21)    Go Back Home More Info...
22)    Omar Khayyam More Info...
23)    Tomorrow More Info...
24)    Baby Do Liddle More Info...
25)    I Don't Need One More Info...
 
Product Description
Product Details
Performer Notes
  • Charly's 2011 double-disc collection Everything I Do Gonh Be Funky: The Hit Songs & Productions 1957-1978 is an excellent attempt at providing a detailed overview of the first two decades of the legendary Allen Toussaint's career as a songwriter, producer, pianist, and recording artist. At 50 tracks it is extensive but it is by no means exhaustive, lacking any of Toussaint's `70s solo recordings for Scepter and Reprise, and there are a few major songs -- such as Ernie K-Doe's "I Cried My Last Tear" and Lee Dorsey's "Ride Your Pony" -- that aren't here, but what is here amounts to a comprehensive, thoroughly entertaining history of one of the great figures of American popular music. Of the two discs, the first is the bumpiest, not because the material is bad but because there's a blend of jumping instrumentals and vocal R&B where it's apparent that Toussaint is finding his voice. He does toward the end of the disc, via a clutch of singles by the Rubaiyats (particularly the riotous "Omar Khayyam"), and then the second disc serves up nothing but gold: beginning with Jessie Hill's "Ooh Poo Pah Doo," it runs through Aaron Neville's "Over You," Ernie K-Doe's "Mother in Law" and "A Certain Girl," Benny Spellman's "Fortune Teller" and "Lipstick Traces," Irma Thomas' "It's Raining" and "Ruler of My Heart," Chris Kenner's "I Like It Like That," the Showmen's "It Will Stand," and Lee Dorsey's "Working in the Coal Mine," "Holy Cow," "Yes We Can," and the title track. Most of this is easily available on other collections, but presented alongside the early work this gives a sense of Toussaint's evolution and importance, which is enough to make this double-disc set one of the best Toussaint collections ever, even with its notable omissions. ~ Stephen Thomas Erlewine
Professional Reviews
Living Blues (p.72) - "[With] a delightfully silly ditty titled 'Tiddle Winks,' a previously little-known gem that's being given a second chance to shine in this 50-track overview..."

Record Collector (magazine) (p.99) - 5 stars out of 5 -- "[T]his 50-track collection is hard to beat....It was Toussaint's skills as a writer, producer and arranger that cemented his status as an integral cog of the New Orleans sound..."
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