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Fight Dirty/Good Morning America
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Album: Fight Dirty/Good Morning America
# Song Title   Time
1)    Killer Cut
2)    Fight Dirty
3)    Don't Count Me Out
4)    Heartless
5)    Too Late
6)    So Alone
7)    Just One More Smiling Face
8)    California
9)    End of It All, The
10)    Runaway
1)    Good Morning America
2)    I Can't Get over You
3)    Roll the Dice
4)    Heading for Home
5)    Saturday Night
6)    My Perfect Lover
7)    All My Life
8)    Fool for Your Love
9)    I'm Angry With You
10)    Just One More Chance
11)    Girl Won't Dance With Me, The
 

Album: Fight Dirty/Good Morning America
# Song Title   Time
1)    Killer Cut
2)    Fight Dirty
3)    Don't Count Me Out
4)    Heartless
5)    Too Late
6)    So Alone
7)    Just One More Smiling Face
8)    California
9)    End of It All, The
10)    Runaway
1)    Good Morning America
2)    I Can't Get over You
3)    Roll the Dice
4)    Heading for Home
5)    Saturday Night
6)    My Perfect Lover
7)    All My Life
8)    Fool for Your Love
9)    I'm Angry With You
10)    Just One More Chance
11)    Girl Won't Dance With Me, The
 
Product Description
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Performer Notes
  • Personnel: Eugene Organ, John Verity, Terry Thomas (vocals, guitar); Philip Todd, Dave Potts (flute); Arnie Lawrence (alto saxophone); Lawrence Feldman (tenor saxophone); Victor Paz (trumpet); Peter Thoms (trombone); Julian Colbeck (keyboards); Shep Lonsdale, Steve Gadd (drums); Ray Cooper (percussion).
  • Audio Mixers: Stephen Short; John Verity.
  • Recording information: Livingstone Studios, London, England; Trident Studios, London, England.
  • Photographer: David Darling.
  • Arrangers: John Verity; Terry Thomas.
  • This double disc from Charlie, who sounds like a cross between Toto and America, includes both the Fight Dirty and Good Morning America albums and is a fair depiction of their AOR style. The high harmony vocals of Terry Thomas set up the backdrop of saxophone and piano, accompanied by simple melodies set adrift on three-minute rock songs. While some of the tunes here carry a boogie beat, most are simple arrangements and are typical of the sound that dominated radio in the mid- and late '70s. The songs here leapfrog between ballads and full tempo rock songs, all incorporating serene, lavish synthesizer bubbling up here and there. Charlie's music is representative of that innocent, surface-shimmering pop sound that has long since faded away, but can still have its moments. ~ Mike DeGagne
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