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Fin de SiŠcle
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Album: Fin de SiŠcle
# Song Title   Time
1)    Generation Sex More Info... 0:03
2)    Thrillseeker More Info... 0:03
3)    Commuter Love More Info... 0:04
4)    Sweden More Info... 0:03
5)    Eric the Gardener More Info... 0:08
6)    National Express More Info... 0:05
7)    Life On Earth More Info... 0:04
8)    The Certainty of Chance More Info... 0:06
9)    Here Comes the Flood More Info... 0:04
10)    Sunrise More Info... 0:03
 

Album: Fin de SiŠcle
# Song Title   Time
1)    Generation Sex More Info... 0:03
2)    Thrillseeker More Info... 0:03
3)    Commuter Love More Info... 0:04
4)    Sweden More Info... 0:03
5)    Eric the Gardener More Info... 0:08
6)    National Express More Info... 0:05
7)    Life On Earth More Info... 0:04
8)    The Certainty of Chance More Info... 0:06
9)    Here Comes the Flood More Info... 0:04
10)    Sunrise More Info... 0:03
 
Product Description
Product Details
Performer Notes
  • FIN DE SIECLE is also available in a limited edition on Setanta [1753 31473] as a deluxe digi pack including an extra lyrics book and extra pictures.
  • The songs on Fin de SiŠcle, though pleasant, don't quite scale the heights Neil Hannon has before: nothing is as arresting as A Short Album About Love's "In Pursuit of Happiness," though "Commuter Love," the grandiose, wind-swept "The Certainty of Chance," and especially the rainy-day funeral song "Life on Earth" make attempts, as does the song that jumps out at you the most, in line with Hannon's past work, "Sweden." Its '60s-movie oom-pah pomp and bombast that introduces each verse is fabulous. But otherwise, Hannon's done better. More unfortunate, Jon Jacobs' engineering seems fine, but his mix is convoluted, muted, as if Hannon's wry voice and the various lugubrious blends of sounds Jobi Talbot scores -- of woodwinds, brass, strings, guitar, and timpani-like drums -- were all trapped in a sandwich bag, fighting to get out where ears are. Where such mellifluous tones should tickle, tease, dazzle, and sometimes outright startle, outside of those yelping parts of "Sweden," it's all a little muffled. Still, it's hard to stop laughing at Hannon's suit-wearing, minor send-up of the storied English gentleman, like a man who is a playboy jet-setter but also affects uptight, fastidious manners. And there's still much to swing on here. Talbot is a fabulously imaginative arranger -- surely the LP's biggest saving grace -- and Hannon's songs thus seem to spiral toward dramatic conclusion no matter what. Best of all, Fin de SiŠcle largely diminishes the Scott Walker whispers that have shadowed his every move, if not actually erasing them. In the end, Hannon is the one you want at your party, sitting at an end table, smoking, drinking your most expensive booze, slyly winking at the ladies, and sizing up the crowd like an international spy. Give the man his due, style is his middle name. You can bet he's got unbelievable chat-up lines. ~ Jack Rabid
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