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Full Bloom
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Album: Full Bloom
# Song Title   Time
1)    I Want to Stay With You
2)    Full Bloom (Suite #1)
3)    Who, What, Where, When, Why
4)    Full Bloom (Suite #2)
5)    Light My Fire
6)    Dancing Queen
7)    We Do It
8)    I Got You on My Mind
9)    I'll Take a Chance on Love
10)    We're Gonna Make It
11)    Dancing Queen
 

Album: Full Bloom
# Song Title   Time
1)    I Want to Stay With You
2)    Full Bloom (Suite #1)
3)    Who, What, Where, When, Why
4)    Full Bloom (Suite #2)
5)    Light My Fire
6)    Dancing Queen
7)    We Do It
8)    I Got You on My Mind
9)    I'll Take a Chance on Love
10)    We're Gonna Make It
11)    Dancing Queen
 
Product Description
Product Details
Performer Notes
  • Personnel: Craig Snyder (guitar); John Davis (keyboards); Ritchie Crooks, Allan Schwartzberg (drums); Annie Sutton, Lani Groves, Sharon Redd (background vocals).
  • Recording information: Media Sound, Copenhagen, Denmark; Odo Studios, New York, NY; RCA Studios.
  • Director: John Davis .
  • Photographer: Joyce Rainboldt.
  • Unknown Contributor Role: Carol Douglas.
  • Arrangers: John Davis ; John Davis .
  • Considering Douglas and producer Ed O'Loughlin were early path-setters for disco, it's surprising to find her covering ABBA's "Dancing Queen" here, rather than offering more original dance material. Not straying far at all from the Swedish supergroup's version, Douglas' reading is passable, if not particularly inspiring. Furthermore, her cover of "Light My Fire" falls somewhere in the land of banality. But fortunately, the remainder of material far outweighs the aforementioned in merit. Most consistent are the ballad selections, ranging from the plush groove of "We Do It," to the soft melody and subtly poetic lyrics of "I Got You on My Mind" to "We're Gonna Make It," with traces of Philadelphia soul stylings. Of the up-tempo fare, the strongest is "Who, What, Where, When, Why," later recorded by Dionne Warwick on her 1979 Dionne album. So, subtract the unnecessary covers, and you have a 75 percent satisfactory album, worth a place in the collections of Douglas fans and aficionados of '70s soul balladry. ~ Justin M. Kantor
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