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The Globe Sessions
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Album: The Globe Sessions
# Song Title   Time
1)    My Favorite Mistake
2)    There Goes the Neighborhood
3)    Riverwide
4)    It Don't Hurt
5)    Maybe That's Something
6)    Anything But Down
7)    Difficult Kind, The
8)    Am I Getting Through, Pts. 1-2
9)    Mississippi
10)    Members Only
11)    Crash and Burn - (mix)
12)    [Untitled Track]
 

Album: The Globe Sessions
# Song Title   Time
1)    My Favorite Mistake
2)    There Goes the Neighborhood
3)    Riverwide
4)    It Don't Hurt
5)    Maybe That's Something
6)    Anything But Down
7)    Difficult Kind, The
8)    Am I Getting Through, Pts. 1-2
9)    Mississippi
10)    Members Only
11)    Crash and Burn - (mix)
12)    [Untitled Track]
 
Product Description
Product Details
Performer Notes
  • Personnel includes: Sheryl Crow (vocals, acoustic, 6- & 12-string electric guitars, National guitar, harmonica, Wurlitzer piano, Clavinet, Hammond B-3 organ, keyboards, bass, percussion, tambourine); Jimmie Haskell (conductor); Tim Smith (acoustic guitar, bass); Wendy Melvoin (guitar, bass); Val McCallum, Todd Wolfe (guitar); Greg Liesz (pedal steel guitar); Jeff Trott (12-string acoustic, electric, tremelo & slide guitars, Moog synthesizer, bass); Lisa Germano (violin, autoharp); Bobby Keys (alto, tenor & baritone saxophones); Kent Smith (trumpet); Micahe Davis (trombone); Benmont Tench (piano, organ, Hammond B-3 organ, chamberlain); Mitchell Froom (Clavinet, orchistron); Gregg Williams (drums, percussion, programming); Dan McCarroll (drums).
  • Recorded at Globe Studios, New York, New York and Sunset Sound Factory, Los Angeles, California.
  • THE GLOBE SESSIONS won the 1999 Grammy Award for Best Rock Album and for Best Engineered Album, Non-Classical. It was nominated for Album Of The Year. "My Favorite Mistake" was nominated for a 1999 Grammy for Best Female Pop Vocal Performance. "There Goes The Neighborhood" was nominated for the 1999 Grammy Award for Best Female Rock Vocal Performance.
  • Personnel: Sheryl Crow (vocals, guitar, acoustic guitar, acoustic 12-string guitar, electric guitar, electric 12-string guitar, 12-string guitar, National guitar, harmonica, Clavinet, organ, Wurlitzer organ, keyboards, bass guitar, tambourine, percussion); Kathy Crow (vocals); Jeff Trott (guitar, acoustic guitar, acoustic 12-string guitar, electric guitar, 12-string guitar, slide guitar, Moog synthesizer); Val McCallum (guitar, electric guitar); Wendy Melvoin (guitar); Tim Smith (acoustic guitar, electric guitar); Todd Wolfe (electric guitar); Lisa Germano (autoharp, violin); Maura Giannini, Matthew Pierce , Mary L. Rowell, Lorenza Ponce, Mark Feldman , Laura Seaton, Avril Brown (violin); Garo Yellin, Jane Scarpantoni, Michelle Kinney, Mary Wooten (cello); Bobby Keys (alto saxophone, tenor saxophone, baritone saxophone); Kent Smith (trumpet); Michael Davis (trombone); Benmont Tench (piano, organ, chamberlin); Mitchell Froom (Clavinet); Dan Rothchild (double bass); Gregg Williams (drums, tambourine, percussion, programming); Jim Bogios, Dan McCarroll (drums).
  • Audio Mixers: David Schiffman; David Tickle; Howard Willing; Andy Wallace; Richard Dodd; Rick Rubin; Steve Sisco; Tchad Blake.
  • Recording information: Globe Studios, New York, NY (1998); Husky Hoskolds (1998); Sand City Studios, Van Nuys, CA (1998); Sunset Factory, Los Angeles, CA (1998); Sunset Sound Factory, Los Angeles, CA (1998); Sunset Studios, Los Angeles, CA (1998).
  • Photographers: Peter Lindbergh; Tchad Blake.
  • Arranger: Jimmie Haskell.
  • Her first album was studded with talented session men, but Crow's second release found her handling multi-instrumental chores with an ease that established her as a renaissance woman to be reckoned with. GLOBE SESSIONS features some famous friends, like Wendy Melvoin (of Prince fame), Heartbreaker Benmont Tench and producer Mitchell Froom (he's strictly an accompanist here; the multi-talented Crow is sole producer here). The vision presented is solidly Crow's, though. A bit more of a mixed bag than her previous work, GLOBE dips into funky, syncopated material, hard-hitting rock, and rootsy folk-rock. Dylan fans should note that Crow lends her vibrant vocal stylings to a previously unrecorded Dylan tune, "Mississippi." The loose, offhanded feel of this album contrasts her previous, more carefully constructed recordings nicely.
Professional Reviews
Rolling Stone (10/15/98, pp.127-128.) - 4 Stars (out of 5) - "...Crow de-emphasizes stylistic consistency in favor of unrestrained emotion. The songs often concern broken romances and the extremes to which Crow's characters will go to fix them or just let go..."
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