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I Think They Liked It Honey
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Album: I Think They Liked It Honey
# Song Title   Time
1)    Bobby Raconte Une Histoire More Info... 0:11
2)    Dialectes More Info... 0:15
3)    The 121/2% Solution More Info... 0:11
4)    Scrap Metal More Info... 0:09
5)    Yes, Dear More Info... 0:14
6)    Description Du Tunnel More Info... 0:16
 

Album: I Think They Liked It Honey
# Song Title   Time
1)    Bobby Raconte Une Histoire More Info... 0:11
2)    Dialectes More Info... 0:15
3)    The 121/2% Solution More Info... 0:11
4)    Scrap Metal More Info... 0:09
5)    Yes, Dear More Info... 0:14
6)    Description Du Tunnel More Info... 0:16
 
Product Description
Product Details
Performer Notes
  • Big Satan: Tim Berne (alto & baritone saxophones); Marc Ducret (electric guitar); Tom Rainey (drums).
  • Recorded live at Instants Chavires, Paris, France from February 8-10, 1996.
  • Personnel: Tim Berne (soprano saxophone, baritone saxophone); Marc Ducret (electric guitar); Tom Rainey (drums).
  • Audio Mixers: Sascha von Oertzen; Adrian von Ripka.
  • Recording information: Instants Chavir?s, Montrevil, Paris, France (02/08/1996-02/10/1996).
  • Editor: Adrian von Ripka.
  • Photographer: Robert Lewis .
  • Tim Berne (alto and baritone saxes) has been at the forefront of progressive jazz since the early '80s. On this release, the artist regroups with longtime musical associates Marc Ducret (electric guitar) and Tom Rainey (drums) for a truly mesmerizing set that rings with ominous overtones and intricately constructed fabrics of sound. Over the years, Rainey and Ducret have supported Berne-led dates, and here the trio pursues a fire and brimstone approach that packs a walloping punch. On pieces such as "Bobby Reconte une Histoire" and "Dialectes," the band melds shuffle grooves with complex unison choruses and linearly devised progressions amid slight shifts in strategy. Vivid imagery abounds as Berne and Ducret offer allusions of perhaps climbing a spiral staircase via climactic opuses and scorching licks. And while many of these pieces are structured and based upon solid frameworks, the artists' complementary musings and intuitive interplay provide the winning edge. The band explores various methods of expounding upon a story line via Berne and Ducret's shredding lines and implosive mode of execution, while Rainey anchors the proceedings with loosely based polyrhythms and sweeping fills. Here, the musicians straddle the outside while also providing supplementary insight into familiar musical territories. (Strongly recommended.) ~ Glenn Astarita
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