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L.A. Woman
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Album: L.A. Woman: The Workshop Sessions
# Song Title   Time
1)    Changeling [Alternate Version], The - (previously unreleased, alternate take)
2)    Love Her Madly [Alternate Version] - (previously unreleased, alternate take)
3)    Cars Hiss by My Window [Alternate Version] - (previously unreleased, alternate take)
4)    L.A. Woman [Alternate Version] - (previously unreleased, alternate take)
5)    WASP, The (Texas Radio and the Big Beat) [Alternate Version] - (previously unreleased, alternate take)
6)    Been Down So Long [Alternate Version] - (previously unreleased, alternate take)
7)    Riders on the Storm [Alternate Version] - (previously unreleased, alternate take)
1)    She Smells So Nice/Rock Me - (previously unreleased)
 

Album: L.A. Woman: The Workshop Sessions
# Song Title   Time
1)    Changeling [Alternate Version], The - (previously unreleased, alternate take)
2)    Love Her Madly [Alternate Version] - (previously unreleased, alternate take)
3)    Cars Hiss by My Window [Alternate Version] - (previously unreleased, alternate take)
4)    L.A. Woman [Alternate Version] - (previously unreleased, alternate take)
5)    WASP, The (Texas Radio and the Big Beat) [Alternate Version] - (previously unreleased, alternate take)
6)    Been Down So Long [Alternate Version] - (previously unreleased, alternate take)
7)    Riders on the Storm [Alternate Version] - (previously unreleased, alternate take)
1)    She Smells So Nice/Rock Me - (previously unreleased)
 
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  • Rhino's double-disc 40th Anniversary Edition of the Doors' final album, L.A. Woman, may not have the two bonus cuts from the 2007 reissue of the record -- "Orange County Suite" and "(You Need Meat) Don't Go No Further" -- but it does have a full disc of bonus material, including alternate takes of every one of the album's ten songs, plus the unreleased original "She Smells So Nice" and a cover of Muddy Waters' "Rock Me." (This bonus material was released separately as The Workshop Sessions.) Neither of the new discoveries feels finished -- there's little polish on the cover, while "She Smells So Nice" seems invented as the Doors play -- but the charm of this edition is that the unreleased material is considerably looser than the finished album. Given that there are no great differences in either arrangements or lyrics -- almost none on the former, nothing notable on the latter -- it is the general vibe of these rough run-throughs that counts, as each alternate take amplifies the comfortably assured virility that is L.A. Woman's calling card. ~ Stephen Thomas Erlewine
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