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Late Night Tales: Jon Hopkins
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Album: Late Night Tales: Jon Hopkins
# Song Title   Time
  Disc 1
1)    Sleepers Beat Theme More Info... 0:05
2)    Hold Me Down More Info... 0:07
3)    Yr Love More Info... 0:04
4)    Verbena Tea (With Rebekah Raff) More Info... 0:04
5)    More More Info... 0:09
6)    I Am Daylights More Info... 0:03
7)    Babe More Info... 0:03
8)    After Dawn More Info... 0:04
9)    Requiem for the Static King Part One More Info... 0:02
10)    Emancipation More Info... 0:02
11)    I Remember (Exclusive Spoken Word Piece) More Info... 0:03
 
Album: Late Night Tales: Jon Hopkins
# Song Title   Time
  Disc 1
1)    Sleepers Beat Theme More Info... 0:05
2)    Hold Me Down More Info... 0:07
3)    Yr Love More Info... 0:04
4)    Verbena Tea (With Rebekah Raff) More Info... 0:04
5)    More More Info... 0:09
6)    I Am Daylights More Info... 0:03
7)    Babe More Info... 0:03
8)    After Dawn More Info... 0:04
9)    Requiem for the Static King Part One More Info... 0:02
10)    Emancipation More Info... 0:02
11)    I Remember (Exclusive Spoken Word Piece) More Info... 0:03
 
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Performer Notes
  • It would be an understatement to say that Jon Hopkins' career turned a corner between the release of his first mix album, The Art of Chill 2, and the release of his second one, a volume in the LateNightTales series. For starters, from late 2005 through early 2015, the producer/musician made albums with Brian Eno and King Creosote, composed music for a dance production and films, and released the well-regarded solo recordings Insides and Immunity. LateNightTales is Hopkins' first "proper" mix album since the tracks for The Art of Chill 2 were dealt to him. This time, Hopkins selected and mixed, and added his own touches, including piano and synthesizer, to enhance the continuous dream-like sequence. Even the contrasting consecutive picks -- like Darkstar's glistening, skyward "Hold Me Down" and Holy Other's dragging, alien "Yr Love" -- are compatible, their transitions made with ease. The majority of the mix is beatless and becalmed with periodic surges in energy that never startle. The Four Tet's "Gillie Amma, I Love You," drifting and hypnotizing with children's melodic whispers, is an ideal set-up for School of Seven Bells' bright-eyed, windswept dream pop. Hopkins inserts an exclusive of his own, a quiet, multi-piano cover of Yeasayer's "I Remember" that would highlight any ambient compilation released on Kranky, Kompakt, or Ghostly. Rick Holland, another Eno collaborator, provides the closing reading of a piece he wrote, which just happens to share its title with the Yeasayer original. ~ Andy Kellman
Professional Reviews
Pitchfork (Website) - "The album's opening section is a confidently strung together sequence of shimmering pianos, arpeggiated synths, gently plucked strings, and yawning techno that culminates in Nils Frahm's effervescent 'More' and immediately establishes Hopkins' touch for the featherlight."
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