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Lemons
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Album: Lemons
# Song Title   Time
1)    It #1 More Info...
2)    Standing at the Station More Info...
3)    In Your Car More Info...
4)    Lovely One More Info...
5)    Can't Talk More Info...
6)    Cents More Info...
7)    Untitled #2 More Info...
8)    Rusted Dust More Info...
9)    Die Tonite More Info...
10)    Johnny More Info...
11)    Drop Out Boogie More Info...
12)    Like You More Info...
 
Album: Lemons
# Song Title   Time
1)    It #1 More Info...
2)    Standing at the Station More Info...
3)    In Your Car More Info...
4)    Lovely One More Info...
5)    Can't Talk More Info...
6)    Cents More Info...
7)    Untitled #2 More Info...
8)    Rusted Dust More Info...
9)    Die Tonite More Info...
10)    Johnny More Info...
11)    Drop Out Boogie More Info...
12)    Like You More Info...
 
Product Description
Product Details
Performer Notes
  • Recording information: 01/2009.
  • Former Epsilons singer and guitarist Ty Segall turns down the tempo a bit but doesn't dial back the intensity on his first solo album. LEMONS follows the same lo-fi garage punk model as Segall's old band, but with the singer handling all the instruments himself, the arrangements have a bit less density, as tunes like the soulful "Lovely One," the midtempo R&B workout "Die Tonite," and the pseudo-psychedelic "Like You" reveal him exploring the space around the notes a little more. While at first the lack of a Farfisa organ and the occasional presence of an acoustic guitar are the most noticeable details that set these performances apart from the Epsilons, Segall does reach for a bluesier, more roots-oriented sound on LEMONS, though his vocals are just as petulant as ever and the overloaded recording and layers of cheap echo result in music that sounds as swampy as anything this guy has ever committed to tape. LEMONS doesn't sound like a radical departure from the Epsilons, but it gives Segall a chance to broaden his horizons a bit from what he did with the group, and he takes advantage of the opportunity.
Professional Reviews
Pitchfork (Website) - "Buffed to a relative shine, these songs are leaner, more frenetic, and simply more imaginative..."
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